Tag: Disney

  • D23 Expo 2013: Highlights from the Imagineering Panels

    Sunday at the D23 Expo was Imagineering day.    Early on, when schedule details were first being announced, it was revealed that there would be five Imagineering sessions on Sunday, but it wasn’t until the last week or so before the Expo kicked off that attendees were given any information about the sessions.

    The sessions were similar in that each one was a panel, and the panels were somewhat more free-form than other panels and presentations.    As a result, there was some overlap, and in reviewing my notes, I felt it would be better to just combine my notes and create a single blog post for the three panels I was able to attend  (attending the Disney Infinity presentation required me to miss the other two Imagineering panels.   I’ve also included a few items from Marty Sklar’s solo presentation on Friday, which I had not previously written up.

    The Panels

    The three panels I attended on Sunday were:

    Working with Walt, with panelists

    • Marty Sklar.  Disney Legend; Currently International Ambassador for Walt Disney Imagineering; previously VP of Concepts and Planning, Vice Chairman and Principal Creative Executive.   Among many other things, guided the creative development of Epcot.
    • X Atencio.   Disney Legend.   Wrote the story for attractions such as the Haunted Mansion and Pirates of the Caribbean; also wrote the songs “A Pirate’s Life for Me” and “Grim Grinning Ghosts”.
    • Alice Davis.   Disney Legend.   A costume designer for attractions such as it’s a small world and Pirates of the Caribbean, as well as Disney films and television.   Widow of Disney Legend Marc Davis.
    • Bob Gurr.  Disney Legend.   Designer of ride vehicles including Autopia cars, the OmniMover system (Doom Buggies and similar), Matterhorn Bobsleds, Submarine Voyage submarines, and the Disneyland Monorail.

    Leading a Legacy, with panelists

    • Marty Sklar.   See above
    • Bruce Vaughn, Chief Creative Executive, Walt Disney Imagineering

    Leave Em Laughing, with panelists

    • Dave Fisher, show writer
    • Kevin Rafferty, story development, senior concept writer
    • George Scribner, story development, director
    • Joe Lanzisero, Creative VP for Tokyo Disneyland
    • Jason Surrell, show writer and producer

    The Content

    Here are some of the things that I thought worth jotting down notes about during these presentations

    (Marty)  The last time Walt appeared on film (October 1966) was in the much-shown introduction to “the Florida Project”, where Walt introduced the plans for what would become Walt Disney World, including EPCOT.   Marty was the writer for this.

    (Alice)  The first time she met Walt was when she was having dinner with her husband Marc at the Tam.   (Tam O’Shanter, a restaurant near the studios popular with studio personnel).   Walt asked about her work.   She was in the garment industry — making girdles and brassieres.   Walt was fascinated (and as far as I can tell she was relating this entirely seriously) by her expertise with elastic.   Two years later, Walt called and asked her to do costumes for it’s a small world.

    (Bob) Asked about first time meeting Walt, he said he was doing sketches for the Autopia cars.   Someone came through the office and took a look, and it wasn’t until he was on his way out and someone said “bye, Walt” that Bob realized who it was.   He thought maybe it was a night watchman or something, so I guess it must have happened after hours.

    (Marty)  His first job at Disney was to produce a tabloid-style newspaper that would be sold on Main Street for ten cents.    It showed how, for Walt, Main Street was a real place, not just a mock-up.   No real small town of that era would be without a newspaper, so there had to be one or the story wouldn’t be right.

    (Bob)  When doing the Lincoln animatronic, Walt had an actor do the speech, and filmed it as a reference.   Bob felt the first take done by the actor was excellent.   But Walt kept making him do it over, and over.  He knew what he wanted and kept pushing (but wasn’t giving any direction to the actor, just having him do it again).   The last take was the one Walt wanted.  The actor was clearly exhausted by that point, and Walt felt that was the way Lincoln would have been at Gettysburg.   That was the kind of authenticity that Walt looked for.

    (Alice)  Making the dolls for it’s a small world, at some point she told Walt that no one had told her how much she could spend on each costume for fabric, buttons, etc.   Walt told her he had a building full of people to do “pencil work”, that she was to design the best costume that anyone from 1 to 100 would love to wear, and they (the pencil people) would figure out how to pay for it.   “People will know the difference; give them your best and they’ll be back.  Cheat them and you’ll never see hide nor hair of them again”.

    (X)  After 20+ years in animation, Walt brought him over to do the script for Pirates.   Marty asked, having never done a script, why did Walt trust you to do that?   X: it was a direct command performance from the man himself.

    (Bob) Walt was never interested in what you had done, but only in what you were going to do next.

    (Alice) Walt would give you something you didn’t think you were capable of doing.  And you’d find a way to do it, because you didn’t want to disappoint Walt.

    (Bob)  Walt remembered almost everything he ever heard, if you told him something, and came back with a different story later, he’d call you on it.

    (Alice)  A young man came to Walt with a drawing and asked him “what do you think of this”?   After looking for a moment, Walt said “It’s very difficult to choose between one”.   He always wanted options.

    (Marty)  The job of leading Imagineering is largely a job as a casting director.   For example, Marc Davis and Claude Coats were very different – they wouldn’t be caught dead going to lunch together.    (Not anything negative, they were just very different).   But putting them together created a really complementary team.

    With the Haunted Mansion, Claude felt it should be scary, and Marc thought it should be funny.    The back and forth between them gave us the ride we have today, probably better than if we had gotten just Marc’s version or Claude’s version.

    (Marty) asked about how to train for a job in Imagineering, Marty suggested learning as much as you can about as many things as you can.   Imagineering comprises 140 different disciplines (but Marty acknowledges they don’t really know how many, that’s just the number they use).   Cross-disciplinary skills are a must.

    (Marty)  leading Imagineering is about casting, motivation, and gently helping someone understand when they have the wrong idea (“a bit of an art form”)

    (Marty or Bruce — didn’t note)  An interesting thing with Hong Kong Disneyland (Shanghai will be similar) is that because of the one child law, the kid-to-adult ratio is inverted from other worldwide parks; influences a lot of what you do in park design.

    (Bruce)  told a funny story about World of Color.   After investing millions in this very advanced fountain system, they decided to create new versions of many classic Disney songs.  So they had the London Symphony Orchestra record a brand new score for the show.   And when they first tried it out, it just wasn’t working.   Someone even said “what if fountains are just boring?” after they had invested tremendous time and money in the show.   Then, they dropped in the classic music (the arrangements we all know)  — and immediately it worked.   We are just really wired to respond to that music the way we know it.

    Someone from the audience asked about Harry Potter at Universal; Bruce didn’t really rise to the us vs. them challenge, but used the question to re-affirm that it’s all about story — that ride, that area of the park is so powerful because it starts with a great story.

    (not sure who told this one)  When Disneyland was about 6 years old, Walt sent Marc Davis over since he was between projects.   Walt asked what he thought, and Marc said what was missing was humor.   So Marc added things like the men climbing the tree to get away from the rhino in the Jungle Cruise.   (and apparently the original Jungle Cruise script was not funny;  it appears from history that the script got punched up at about the same time Marc began working in the parks).

    (Kevin)  The version of one of the songs at Mater’s Junkyard Jamboree where Mater forgets the words to the song was completely intentional  (which is different than the story I’d heard about it previously).    The story is, when Kevin was demoing the song for Larry the Cable Guy (voice of Mater), he actually did forget some words and filled in with a “something something something”   — Larry said “we have to do that!” and did it in one take.

    (Kevin)  Mater’s Junkyard Jamboree also is the first ride to have a “Joke” button; when the ride is loading, if it is taking a little longer than ideal, the operator can hit a “joke” button on the console and Mater tells a joke.    He played a number of the recorded jokes for the audience.   I don’t remember any or I’d share.

    There was obviously a lot more in all of these panels, but those were the highlights as I saw them.    The biggest thrill was just being able to see so many Disney Legends and hear their stories.

  • Disney Legends 2013

    At the previous D23 Expo in 2011, the Disney Legends ceremony was the kick-off event for Day 1; it was a fantastic session that set the bar for everything that followed.   The inductees in 2011 including the singing voices of 4 Disney princesses  (Jodi Benson – Ariel, Page O’Hara – Belle, Lea Salonga – Jasmine & Mulan, and Anika Noni Rose – Tiana), among other honorees.   The four voice actresses sang individually, as well as together, as part of the ceremony.    We also got a live performance from Brian Henson as his father Jim was inducted as a Disney Legend.   These performances were so memorable that there didn’t seem to be any way the 2013 ceremony could top that.

    The 2013 Disney Legends included 8 new honorees, 4 of whom were present plus 4 that were being honored posthumously.    There were no performances this time, so the ceremony was not as energetic or exciting — but it was moving, and I think everyone in the audience was touched and felt privileged to be a part of the celebration of the work of the newest Disney Legends.

    Tom Bergeron (Host of Dancing with the Stars and Americas Lamest Jokes with Videos) hosted along with Bob Iger (Disney CEO)

    Tony Baxter

    The first honoree was Tony Baxter, for Imagineering.   Tony worked his way up at Disneyland, starting out scooping ice cream in the park.    Tom shared a brief recap of the story of how during a break, Tony snuck in to the still-under-construction Pirates of the Caribbean attraction, where he got a personal tour of the ride from legendary Imagineer Claude Coats (who would later become Tony’s mentor in Imagineering).   I’ve heard Tony tell a longer version of this story at another D23 event, and it really captures some of the pride of craftsmanship and eagerness to share that characterizes the greatest Imagineers.

    Tony was moved into Imagineering in 1970 and participated in development of the Magic Kingdom at Walt Disney World.    He returned to California to work on Big Thunder Mountain Railroad.   He participated in the development of many well-known attractions at various Disney parks after that, including The Living Seas, The Land, Journey Into Imagination, Star Tours, Indiana Jones Adventure, and Splash Mountain.   He was the executive producer of Disneyland Paris and continued work on various Imagineering projects until his quasi-retirement in 2013   (he remains an advisor to Imagineering).

    In his remarks, Tony said that one of the secrets to success is recapturing the naive optimism of a 12 year old who believes that anything you can imagine is possible, and said that Disney is a company that encourages employees to find that childlike place again.

    Ed Wynn

    Ed Wynn’s career started in vaudeville and continued in television, movies, and on Broadway.    He was best known as a comic actor but did dramatic roles as well (earning an Academy Award nomination as Best Supporting Actor for The Diary of Anne Frank).

    His association with Disney begin with voicing the character of The Mad Hatter in Alice in Wonderland.    (The King Candy character in Wreck-it-Ralph is a tribute, as Alan Tudyk does a pretty spot-on impression of Wynn’s voice in the role) .

    He did many other Disney roles in films such as Babes In ToylandThe Absent-Minded Professor, Son of Flubber, and several others, but no role was better remembered than that of Uncle Albert in Mary Poppins.

    Mr. Wynn’s granddaughter accepted the Disney Legends award on behalf of her grandfather.

    Collin Campbell

    Collin Campbell was an animator and, later, an Imagineer with Disney.    As an animator, he worked on such classics as Lady and the Tramp, Sleeping Beauty and 101 Dalmatians.    He’s another case of someone working their way up on the inside, having started with the company as a messenger.

    Collin was one of the employees assigned to WED (the precursor to Imagineering) to produce attractions for the 1964 New York World’s Fair.    He built models and sets for the fair exhibits Magic Skyway, it’s a small world, and Carousel of Progress.   At Disneyland he worked on The Enchanted Tiki Room, Pirates of the Caribbean, and Club 33.

    Moving on to Walt Disney World, Collin produced concept art for the resort hotels and worked on areas such as Tom Sawyer Island and the entrance and queue to Pirates of the Caribbean.

    Collin retired in 1990, but returned to work on the Tom Sawyer Island renovation at Disneyland.   He passed away in 2011.

    The Disney Legends award for Collin was accepted by his son Jim.

    John Goodman

    John is best known for his work outside of Disney, as an actor in both dramatic and comedic roles in movies, TV, and on Broadway.   He was nominated for a Drama Desk Award for Best Featured Actor in a Music for Big River.   He frequently appears in Coen Brothers films such as Raising Arizona, The Big Lebowski, and Barton Fink.

    He is probably best known for playing Dan Conner in the long-running sitcom Roseanne, earning a Golden Globe and seven Emmy nominations.

    His Disney appearances include the films Arachnophobia, Born Yesterday, Stella, Coyote Ugly, and Confessions of a Shopaholic.

    His most loved Disney/Pixar work as as Sulley in Monsters, Inc. and this year’s Monsters University, but he has also lent his voice to animated characters in The Emperor’s New Groove, Kronk’s New Groove, The Jungle Book 2, and The Princess and the Frog.

    In accepting the award, he indicated that he really felt he and Billy Crystal were being honored as a team; somewhat unusually for animated voice work, they performed their lines together in the studio rather than recording them separately.    (He also was thankful that he didn’t have to follow Billy in his acceptance).   John also said that it the true honor was just in being cast to work with the Disney artists in the first place.

    Billy Crystal

    Billy Crystal was a successful stand-up comic who gained a national audience through his appearances on the shows Soap (1977-81) and Saturday Night Live (1984-1985).   He hosted several Comic Relief fundraisers along with Whoopi Goldberg and Robin Williams.

    He appeared in a number of Rob Reiner films including The Princess Bride (“Have fun storming the castle!”) and When Harry Met Sally.     He was nominated for Golden Globes 3 times for his film work.

    He turned down the opportunity to voice Buzz Lightyear in the original Toy Story film before voicing Mike Wazowski in Monsters, Inc, a role he has called his favorite character he ever played.    He recently reprised the role for this year’s Monsters University.

    As a 9-time host of the Academy Awards, Billy has surpassed everyone but Bob Hope in the number of times hosting the show.

    In accepting the award, he reflected on the change in how we watch entertainment today — specifically recalling how watching Disney movies was something that brought the whole family together, with everyone watching together, rather than everyone wrapped up on their own iPad / iPhone or other device and doing their own thing.

    Dick Clark

    Dick Clark was recognized for his enormous contributions in the television industry, as a host and producer.

    His best-known contributions are American Bandstand, which he hosted for over 30 years, and the annual New Years Rockin’ Eve special which he also hosted for over 30 years.   In addition to those shows, he performed on or produced many game shows, awards shows, and specials.

    Dick won five Emmy awards and is a member of both the Television Hall of Fame and the Rock and Roll hall of fame.    He passed away in 2012 and his Disney Legend award was accepted by his wife, Kari.

    Glen Keane

    Glen spent 38 years as a Disney animator, and is the pencil (or computer-pointing device) behind some of the most beloved characters of the second Golden Age of Disney Animation.

    His father, Bil Keane, is the cartoonist behind the long-running Family Circus comic and devised all six of the jokes used in the strip.

    Glen joined Disney just as the last animators that directly worked under Walt were approaching retirement, and was mentored by such greats as Frank Thomas & Ollie Johnston and Eric Larson.

    Characters animated by Glen include Penny (The Rescuers), Elliott (Pete’s Dragon), Tod, Vixey, and the bear (The Fox and the Hound),  Ariel (The Little Mermaid), the Beast (Beauty and the Beast), and the title characters in Aladdin, Pocahontas, and Tarzan.

    Glen did much of the original development work on the Rapunzel story that eventually morphed into Tangled.

    Glen retired from Disney in 2012 but continues to teach and inspire new artists.

    Steve Jobs

    Steve Jobs is obviously best-known for his contributions to Apple, but his contributions to Pixar are bigger than many (or most) people realize.   Before reading Walter Issacson’s biography, I had assumed Steve was just an investor / owner; only after reading about his involvement did I realize how important his contributions were to the company that Pixar became.

    When Disney acquired Pixar in 2006, Steve became Disney’s largest shareholder and a member of the Board of Directors.

    Steve’s award was accepted by Pixar and Disney future legend John Lasseter.   The acceptance was certainly the most moving part of the Legends ceremony, and perhaps the most moving moment of the entire expo.     I recommend watching it here.

    That concludes the 2013 Disney Legends; inductions are now biannual to coincide with the Expo so then next class of inductees will be named in 2015 shortly before that year’s Expo.

     

  • D23 Expo 2013: Treasures of the Walt Disney Archives

    One of the highlights of any D23 Expo is the Treasures of the Walt Disney Archives.   D23 curates an exhibition of interesting items (props, costumes, etc.) from the archives and takes over a large area on the second floor of the convention center to display the item.

    This year’s exhibition was smaller and more focused than last year’s.   There were three primary themes to this years display.   The first was celebrating the 50th anniversary of the release of Mary Poppins.    The second theme was looking at Disney’s long association with Oz; not just the recent release, but a number of other Oz-related projects (some that never came to completion) Disney has done over the years.   And the final theme was ABC’s Once Upon a Time series.

    For this exhibit, a picture is worth a thousand words, so here are the pictures.

    Exhibit Entry
    Exhibit Entry

    There was no flash photography allowed in the exhibit, and light levels were frequently low (and I did not think to bring along a tripod or monopod to steady the camera).   So there are a lot of blurry photos here; I apologize for the quality).

    From Harrod's, a set of Disney-inspired dresses interpreted by famous designers.
    From Harrod’s, a set of Disney-inspired dresses interpreted by famous designers.

    IMG_3651 IMG_3652 IMG_3653 IMG_3655 IMG_3656 IMG_3657 IMG_3658 IMG_3659 IMG_3660 Costumes from Alice in Wonderland

    IMG_3662 IMG_3663Costumes and props from Once Upon a Time

    Costumes from "Once Upon a Time"
    Costumes from “Once Upon a Time”
    Props from "Once Upon a Time"
    Props from “Once Upon a Time”
    "Once Upon a Time" costumes
    “Once Upon a Time” costumes

    IMG_3667

    Some of the Oz-related props from earlier projectsIMG_3668 IMG_3669

    Props from "Return to Oz"
    Props from “Return to Oz”

    IMG_3671 IMG_3672

    Costumes from "Oz: The Great and Powerful"
    Costumes from “Oz: The Great and Powerful”
    Props from "Oz: The Great and Powerful"
    Props from “Oz: The Great and Powerful”

    Getting into the Mary Poppins section of the exhibition now

    Storyboards
    Storyboards
    Concept art
    Concept art

    IMG_3678

    Mary's bag from Mary Poppins
    Mary’s bag from Mary Poppins

    IMG_3680

    One of the costumes worn by Julie Andrews as Mary
    One of the costumes worn by Julie Andrews as Mary

    IMG_3682

    Costumes from Mary Poppins
    Costumes from Mary Poppins
    Sherman Brothers costumes from "Saving Mr. Banks"
    Sherman Brothers costumes from “Saving Mr. Banks”
    Walt Disney (Tom Hanks) and P.L. Travers (Emma Thompson) costumes from Saving Mr. Banks.
    Walt Disney (Tom Hanks) and P.L. Travers (Emma Thompson) costumes from Saving Mr. Banks.
    The Sherman Brothers with Julie Andrews and Dick Van Dyke
    The Sherman Brothers with Julie Andrews and Dick Van Dyke

    At the conclusion of the exhibition was a display of fan art celebrating Mary Poppins.   A number of these were quite good, I only included a couple of my favorites.

    My favorite fan art piece -- Mary Poppins done as if from the haunted mansion's stretching room (with Peter Pan thrown in as well)
    My favorite fan art piece — Mary Poppins done as if from the haunted mansion’s stretching room (with Peter Pan thrown in as well)
    Another clever bit of fan art
    Another clever bit of fan art

     

  • D23 Expo 2013: Live Action (Part 2: Disney Nature, Disney Studios)

    (Part I of the Studios live-action presentation recap is here).

    Disney Nature

    The next Disney Nature film will be released on Earth Day 2014, and is titled Bears.   We saw the trailer, being shown for the first time anywhere, which featured footage of a family of bears in the Alaskan wilderness.

    Disney

    The last portion of the Studios live-action presentation was from Disney Studios, and was presented by the studio’s President of Live Action Production, Sean Bailey

    Muppets Most Wanted

    The setup here is that there is an international jewel thief that looks exactly like Kermit (well, almost — the jewel thief has a mole that Kermit lacks).   We saw a bit of footage from the film and an especially-for-D23 filmed bit from the set, where Miss Piggy was under the mistaken impression that she was addressing P23, the world’s largest gathering of Miss Piggy fans.   Ricky Gervais, Tina Fey, and Ty Burrell join the Muppets.   Ty then drove onto stage in a very tiny car and chatted about the film for a bit before shoehorning himself back into the car to drive away.

    Into the Woods

    This filmed adaptation of Stephen Sondheim’s musical fairy tale was previously announced, but this presentation was the first announcement of the film’s cast.

    Meryl Streep will play the witch.   Johnny Depp with play the Big Bad Wolf.   Other cast members include Anna Kendrick, Chris Pine, and Emily Blunt.

    Rob Marshall (Chicago, Pirates of the Caribbean 4) directs.

    Cinderella

    Director Kenneth Branagh brings the classic fairy tale to the big screen in March 2015.   We were the first audience to see a sneak peek.   There isn’t much at this point, really just some costume tests (and we were told Cinderella’s gown may change).    Cast includes Lily James (Cinderella), Richard Madden (Prince Charming), Cate Blanchett (Stepmother), and Helena Bonham Carter (Fairy Godmother).

    Maleficient

    Coming July 2014; Director Robert Stromberg, Producer Joe Roth, and writer Linda Wolverton (Beauty and the Beast, The Lion King).    Starring Angelina Jolie (as Maleficient) and Elle Fanning (as Aurora).

    Angelina Jolie was on hand to talk about the film; says that since a child she has been drawn to the Maleficient character.    We were the first audience to ever see the trailer for the film; the trailer mostly features Maleficient laying a curse on the infant Princess Aurora, but that scene was intercut with various other scenes from the film.   Angelina looks quite frightening in the role and shared that when children would visit the set, they would generally want nothing to do with her if she tried to approach and greet them in a friendly manner.   (And in fact, her daughter plays the infant princess in some scenes because they were unable to find anyone else that wasn’t scared of her!)

    Tomorrowland

    Just not sure what to say about this one … if may turn out to be something very interesting, but the entire setup for the film is just a huge campaign of lies and misdirection, and I don’t think that’s the way to set about getting people excited about your project.

    The presentation starts with the explanation of this mysterious box (labeled “1952”) that was found deep in the Disney archives.    Director/Producer/Writer Brad Bird and Writer/Producer Damon Lindelof came on stage to show us some of the contents found in this mysterious box — like a photo of Walt Disney and Amelia Earhart dated two years after her disappearance, an “Amazing Stories” comic book from 1928 with a mysterious hidden message, and a blueprint for the It’s a Small World attraction which, viewed under black light of the appropriate wavelength, reveals hidden rooms under the ride.

    After the presentation ended, for the rest of the Expo you could view the contents of this mysterious box on the show floor, but any attempt to photograph anything would bring security on the run.    Must protect these precious fake artifacts!

    Lindelof is best known as one of the produces behind Lost — which I loved.   But in Lost, we were drawn in first and foremost because we cared about the characters, and then we were presented with a complex, layered mystery to unravel.    Here we are being given what I’m sure is an equally complex and multi-layered mystery — but we aren’t being given any reason to care.    Maybe that will change as we learn more.

    Tomorrowland is a December 2014 release starring George Clooney.    OK, I think I see why people will care.

    Saving Mr. Banks

    The story behind the story of bringing Mary Poppins to the screen; in particular, the difficult relationship between Walt Disney and author P L Travers as Disney attempts to get the rights to make the film.  Mrs. Travers (as she insists she be called, to no avail) has no interest in selling the rights, especially not to this man who makes cartoons.

    As must as I’d like to, in the short amount of film we saw I just can’t stop seeing Tom Hanks; putting a mustache on him doesn’t make him disappear into the role.   I hope that’s just an initial reaction and that in a feature length film I’ll be able to forget it’s Tom and completely accept him as Walt Disney.

    The footage we were shown looks great; I’m not sure how much of it is “true” and how much of it is “based on a true story”, but either way it looks like it’s going to be very entertaining, and quite funny.

    Besides Hanks and Thompson, the film features Jason Schwartzman and B. J. Novak as composers Richard and Robert Sherman, Bradley Whitford as screenwriter Don DaGiadi, Colin Farrell, and Paul Giamatti.

    B.J. Novak and Jason Schwartzman came on stage to talk about playing the Sherman brothers and getting to work with Richard Sherman  (Sherman even worked with Schwartzman, who plays the piano, to show him how to handle the phrasing).   An upright piano was then rolled out onto stage and they led us in a sing-a-long of Let’s Go Fly a Kite.   Richard Sherman joined them onstage (to a standing ovation)  to close out the studios presentation and send us off to our next Expo experience.

     

  • D23 Expo 2013: Live Action (Part I, LucasFilm & Marvel)

    The second day of the D23 Expo was again led off by a presentation of upcoming studio releases.   While Friday’s day one presentation was focused on animation, the Saturday presentation was about live action films.   Again, the presentation was segmented by the studio: LucasFilm, Marvel, Disney Nature, and Disney features.   Part I of this post covers Marvel (and the tiny bit that was shared about LucasFilm).

    Bob Iger again kicked things off, but then quickly handed off to Alan Horn, Chairman of Walt Disney Studios, to talk about the upcoming films.

    Alan shared that Disney has grown its portfolio of studios quite a bit over the past years; with the acquisitions of Pixar in 2006, Marvel in 2009, and LucasFilm in 2011.

    LucasFilm

    Alan welcomed LucasFilm to the Disney family but disappointed the audience by saying there would be nothing new to share regarding LucasFilm projects.    He repeated some of what we already know — Episode VII will be released in Summer 2015; JJ Abrams will direct and is currently working on the screenplay with Michael Arndt; and John Williams will once again score.

    Marvel

    Marvel has been a very successful acquisition for Disney; they have two of the top 5 grossing films of all time with The Avengers and Iron Man 3.    Alan introduced Marvel Studios President Kevin Feige to cover the upcoming Marvel films.

    The Avengers was the culmination of Phase I of the Marvel cinematic universe.   We are now seeing Phase II  (which will conclude with Avengers 2).   Iron Man 3 was the first of the Phase 2 films.    There are 3 more Phase 2 films before we cap it off with Avengers 2.

    Thor: The Dark World will be the next release.    Director Alan Taylor took the stage and we got an extended first look at the feature.   (I believe this same footage was shown at Comic Con).   Cast members then came out on stage … Tom Hiddleston (Loki), Natalie Portman (Jane), and Anthony Hopkins (Odin).    Hopkins received a standing ovation; I think most of the audience was surprised he was in attendance.    Hiddleston did not sing for us this time.    We saw a new clip, of Jane’s first day on Asgard where she is suffering some sort of infection.   Odin insists that she be sent back to Midgard (Earth) where doctors there can take care of her.    She is fascinated by the technology being used (and appears to understand it far better than the Asgardians expect of someone from such a primitive place).   There is a good bit of humor in the scene while at the same time setting up a conflict between Thor and Odin regarding Jane that might be a significant plot point.

    Captain American: The Winter Soldier was up next.  We were shown two clips, both action-oriented fight scenes.  The first, taking place in an elevator, was shown previously at Comic-Con.    I believe the second scene, taking place (mostly) on a boat, was being shown for the first time; much of it was in pre-viz stage with very rough blocked-in CGI.   Cast members Chris Evans (Captain America), Anthony Mackie (The Falcon) and Sebastian Stan (Bucky / The Winter Soldier) were on hand to talk about the film.    Filming has been completed and the film is now being edited for an April 2014 release.

    And now for something completely different.   Guardians of the Galaxy is just underway (4 weeks into shooting).   We were shown some footage assembled from the first few weeks of shooting, but surprisingly some of the CGI characters looked very good for such early footage — so clearly they wanted to have something flashy to show for Comic Con and D23,  and it worked.   The characters of Groot (an Ent-like character) and Rocket Racoon (I think that one is self explanatory :-) ) look amazing.    This looks like it will be very humorous.   Release scheduled for August 2014.

    We were then shown a brief teaser trailer of Avengers 2: Age of Ultron.   There was nothing shown other than the face plate of the Ultron robot character.   The feature is scheduled for 2015.

     

  • D23 Expo 2013: Art & Animation (Part 3: Disney Animation)

    Part 1 of the Art & Animation presentation (Pixar) is here.

    Part 2 of the Art & Animation presentation (Disneytoon Studios) is here.

    The final segment of the Animation presentation covered upcoming releases from Disney Animation Studios.

    Before beginning the Disney Animation Studios portion of the presentation, host John Lasseter took a few minutes to recognize 60-year Disney animator Burny Mattinson.   Burny started as an animator with Disney in 1953, and is still working today.   He’s the last active animator at Disney who worked directly with Walt Disney.    Burny was in the VIP section of the audience and apparently unaware that he would be honored; he received an enthusiastic ovation from the crowd when he joined John on stage.

    We were then treated to something both new and old.   The Disney short Get a Horse was shown; I think this was the first time it was shown to an audience.   This is a very interesting mash up of a film — and I think the less you know about it going in, the more you’ll enjoy it.   It will be released as the short in front of Frozen later this year.

    The first Disney Animation Studios feature we were told about is Big Hero 6.   Director Don Hall took the stage to introduce the film, based on a relatively obscure Marvel comic.   We were shown a trailer for the film, that introduces a brilliant young robotics student whose invention falls into the hands of super villains.   He then must assemble a team of would-be super heroes to save San Fransokyo (a visually interesting city that mixes features of San Francisco and Tokyo).   He is assisted by the robot Baymax, an inflatable robot intended to function as a nurse, but modified by Hiro extensively.

    Zootopia was the next film presented; this feature is being announced for the first time at the D23 Expo.   Director Byron Howard (Tangled) and writer Jared Bush presented.   This is a buddy action comedy set in a world where humans never existed, so we get a view of how the world would be different if it was designed for, and run by, animals.    Cities aren’t divided up into ethnic neighborhoods, but rather into habitats, so you have a tundra area, a desert area, etc.   The film’s creators were trying to get the feel of some of the classic Disney films where you had animals in clothes such as Mr. Toad and Robin Hood.

    Frozen is the next feature coming from Disney, releasing on November 27th of this year.   Director Chris Buck and Jennifer Lee took the stage to introduce us to the world and characters of Frozen.   Frozen stars Kristen Bell as Anna, Idina Menzel as Elsa, Jonathon Groff as as Kristoff, and Josh Gad as Olaf.   The story is based on Hans Christian Andersen’s The Snow Queen.

    Kristen and Josh joined the directors on stage to talk about the film and show a few clips.   The first is when Olaf (the snowman) first meets Anna and Kristoff.   The second clip shows Olaf singing a funny, if somewhat clueless, song about how much he looks forward to experiencing summer for the first time.    (Yes, he’s in for quite a disappointment).   Songs for Frozen were written by Robert Lopez and Kristen Anderson-Lopez (Book of Mormon).

    To wrap up the presentation, and end the animation presentation, Idina Menzel (Elsa, or Elphaba in Wicked if you prefer) came on stage to perform Let it Go, from the film, while the audience was showered with confetti snow.    A powerful ending to the morning session and kickoff of the D23 Expo.

  • D23 Expo 2013: Art and Imagination (Part I: Pixar)

    The 2013 D23 Expo kicked off with a presentation of upcoming animated feature releases from the various Disney studios.

    We were welcomed by Bob Iger, Chairman and CEO of the Walt Disney Company.   (Bob was here live this year; two years ago his introduction was taped).   He mentioned that since the last Expo, Disney has acquired LucasFilm, but that we wouldn’t be getting details of Star Wars Episode VII during the Expo.   He also said this Expo was the biggest yet.

    Bob then turned the floor over to Bob Lasseter, who was the host for the remainder of the 3-hour presentation.   John is the Chief Creative Officer at Pixar, Disneytoon, and Walt Disney Animation Studios, as well as the Principal Creative Advisor for Walt Disney Imagineering (in other words, he has ALL the best jobs at Disney).

    The presentation was divided by studios, so I’ll divide the blog posts accordingly.   First up:  Pixar.

    We first heard about the success of Monsters University, currently in theaters.   John mentioned that one of the break-out characters from the film that really surprised them was the slug.   And then John was joined on stage by SNL alum Bil Hader, the voice of the slug.   They had a brief bit of banter before John announced the first D23 Exclusive of the day:  we were shown a new Monsters University short film, Party Central.   This was a really cute short film  that will be released theatrically in front of The Good Dinosaur.

    And that lead us in to a discussion of The Good Dinosaur, Pixar’s next film.   The premise here is: what if the asteroid that wiped out the dinosaurs missed the Earth?   director Pete Sohn and producer Denise Ream came on stage to discuss the film.   The first clip shown was of the dinosaurs engaged in farming activities.   This was a very lovely, pastoral scene that was different in tone from the funnier scenes that followed.    The animation style (particularly the character design) is more cartoony, and less photo-realistic, than I had anticipated based on what I heard previously.

    The voice cast includes John Lithgow, Frances McDormand, Bill Hader, Neil Patrick Harris, Judy Green, and Lucas Neff.    Bill and Lucas came out to talk a bit about the film, they both play siblings in the featured dino family.   We then saw another clip of the film, where Arlo (Luca’s character) meets a human for the first time.

    The Good Dinosaur will be in theaters in 2014.

    The next film presented was Inside Out.   (Announced at the 2011 Expo as The Untitled Pixar Film That Takes You Inside the Mind, but for some reason they chose not to stick with that title).    I can’t help but think of this as Cranium Command: The Movie — fans of that shuttered Epcot attraction will recognize the story line similarity.

    The movie as about 11 year old Riley, a young girl whose family moves from Minnesota to San Francisco.   As she adjusts to her new surroundings, we see her emotions personified as characters in her head.   The voice cast features Lewis Black as Anger; Mindy Kaling as Disgust; Bill Hader as Fear, Amy Poehler as Joy, and Phyllis Smith as Sadness.

    Phyllis Smith (The Office) and Bill “I’m not Dwight” Hader then came out to talk about the film.   Phyllis certainly nailed the Sadness role as she was in character throughout.

    The film takes us various places inside the brain, from HeadQuarters (the command center) to Long Term Memory, Imagination Central, Abstract Thought, and Dream Production.   All these areas are connected by the Train of Thought.

    We saw a story reel (essentially storyboards plus temp voice tracks) showing how a family dinner goes with the family — we get to see the inner emotions of the Mom and Dad as well as Riley, and the hilarious scene went over very well with the audience.   This looks like a gem.

    Next:  Finding Dory.   Director Andrew Stanton and producer Lindsey Collins set up the film, which takes place about a year after Finding Nemo.   Dory’s homing instinct kicks in and she takes off to search for her original family; her new family then has to search for her.   Voice cast includes returning Albert Brooks (Marlin) and Ellen DeGeneres (Dory), plus Diane Keaton and Eugene Levy as Dory’s parents, Ty Burrell, and more voice cast to be announced later.    At this point Bill Hader came on stage dressed as a Sea Cucumber to beg to be cast in the movie … with 3 Pixar films in a row under his belt, if he could just get one more, he could become Pixar’s “Lucky Charm”.

    Well, that comment just could not be allowed to stand.   At this point Pixar’s reigning lucky charm, John Ratzenberger, came onto stage accompanied by a full brass band that punctuated his every joke with a rim shot or appropriate flourish.    We saw a slideshow of all 14 of the characters John has voiced in Pixar films.    I don’t think Bill will be unseating John anytime soon.

    John Lasseter then explained that Pixar has been thinking about TV specials even before they did the first Toy Story, but now have finally created their first.   Toy Story of Terror will debut this Halloween, and we were treated to the first 10 minutes of the special.

    That concludes the Pixar portion of the animation presentation … the next post will pick up with the Disneytoon Studios project calendar.

     

  • D23 Expo 2013: Broadway and Beyond

    A fun evening took place in Stage 23 last evening as Disney Theatrical Productions put on a special one-time showing, “Broadway and Beyond”, featuring musical selections from many current, previous, and even future Broadway productions.

    The show opened with a selection of songs from Beauty and the Beast — appropriate since that show was Disney’s first foray onto the Broadway stage.   We first heard “Be Our Guest”, done by all five performers, then “Beauty and the Best” by Heidi and “If I Can’t Love Her” by Alton.

    After this opening, Thomas Schumacher, President and Producer at Disney Theatrical Productions, came out to make introductory remarks.    He shared that there are currently 17 productions playing around the world under the Disney Theatrical Productions banner.   He introduced the 5-piece orchestra (can you be an orchestra with only 5 pieces?  I think yes if one of them is a violin) and the performers.    All of the performers remained onstage throughout the show — so whoever wasn’t currently performing was a back-up singer, or, frequently, just an enthusiastic spectator.    Clearly they all enjoyed each other’s performances and it was always fun to watch everyone, not just whoever was currently in the spotlight.

    The performers were:

    • Heidi Blickenstaff.   Played Ursula in The Little Mermaid
    • Ashley Brown.  Originated the role of Mary Poppins in the stage version, previously played Belle in Beauty and the Beast.   Non-Disney roles include Laurey in Oklahoma and Maria in The Sound of Music.
    • Merle Dandridge.   Played Kala in Tarzan and Aida in Aida.   Also in Broadway productions of Rent, Spamalot, and Jesus Christ Superstar
    • Josh Strickland.   Originated the role of Tarzan.
    • Alton Fitzgerald White.   Mufasa in The Lion King.   Also in Broadway productions of The Color Purple, Ragtime, The Who’s Tommy, and Miss Saigon.

    Photography wasn’t allowed during tonight’s performance, and words just can’t do it justice … so I’ll have to settle for providing the set list.   It was truly a fantastic evening.

    And we had a few special guests in the audience — Alan Menken and Richard Sherman, both of whom will be performing tomorrow night, and between them responsible for well over half of the music we heard tonight.

    The second featured musical was The Lion King.   We were treated to “Hakuna Mutata” (Alton and Josh), “Shadowland” (Merle), and “They Live in You” (Alton).    (By the way, if your only exposure to these stories is from the movies, many song titles will be unfamiliar as in the process of taking these stories to Broadway, the book and score are both expanded — usually with the original composer providing additional songs.

    Next was a song from the German production Der Glockner Von Notre Dame.   This production will probably be reworked into an English-language version at some point, and the song performed by Josh, “Made of Stone”, was in English suggesting this may already be underway.

    Next up were a few songs from Aida.  “Easy as Life” was performed by the original Aida, Merle, then Josh did a fun and funny interpretation of a spoiled, fashion-obsession princess in “My Strongest Suit”.

    Tarzan was well represented with the original Tarzan (Josh) and Kala (Merle).   The two of them sang a duet of “You’ll be in my Heart”, and then Josh performed “For the First Time” with Ashley (performing Jane).

    Another musical where we had an original lead was Mary Poppins.   Ashley first performed “Practically Perfect in Every Way”, one of the songs added for the stage.   Then Alton and Ashley gave us “Jolly Holiday” and “Chim Chim Cheree”.   Then, perhaps the most moving moment of the evening, Ashley gave a goosebump-inducing version of “Feed the Birds”.    This received an enthusiastic standing ovation from the crowd and reportedly brought Richard Sherman to tears; it was Walt’s favorite song and after tonight I suspect it will be a favorite of quite a few more attendees.

    Things then got more upbeat with selections from The Little Mermaid.   The entire ensemble performed “She’s in Love”.   Then Heidi gave a subtle, nuanced interpretation (not!) of “Poor, Unfortunate Souls”, and Ashley concluded the segment with “Part of Your World’.

    From here we continued to Newsies.   “Carrying the Banner” was performed by the quintet, then Ashley sang “Watch What Happens” and was followed by Josh and “Santa Fe”.

    We then got to hear a couple of selection from the rarely-performed King David.   Heidi gave us “Never Again”, Alton was joined by the others in “The Long Long Day’.

    To wrap up the evening, we got to hear a new song from an under-development Aladdin musical.   Alton (as the Genie) and Josh (as Aladdin) performed the buddy song “Somebody’s Got Your Back”, supported by the other performers.

    It was a very entertaining evening; D23 has really been on a roll with the evening performances since the Destination: D Animation event, and I hope they continue to provide these wonderful nightcaps at future events.

  • I love it when a plan comes together

    Sometimes the stars align just so, and something magical happens.    This may just be one of those times in my life.

    Almost a year ago, tickets went on sale for the 2013 D23 Expo.   Since I’m planning on writing a lot more about the Expo over the next 3 weeks, I won’t go into anything about it here, other than to say buying the tickets put a stake in the ground as far as my schedule … I knew exactly where I was going to be on August 9-11 of 2013.

    I bought those Expo tickets while I was training for my first ever runDisney race, and my first run over 5K – the Tower of Terror 10 miler, in late September of 2012.   That race led me to try another — the WDW Half Marathon in January 2013 — and that in turn led me to sign up for back-to-back races over the upcoming Labor Day weekend — the inaugural Disneyland 10K on August 31st, followed by the Disneyland Half Marathon on September 1st.   (The two races together comprise the Dumbo Double Dare challenge, and doing the Disneyland Half during the same calendar year as the WDW Half earns me the Coast-to-Coast Challenge medal, so I’ll be sporting some serious bling come Labor Day.    I hope I can stand up!

    That’s another topic for future posts, but once again, I’ve got a firm schedule commitment, again in Anaheim, this time for Labor Day weekend.

    Now, at the same time I’m making all these plans for Anaheim, I’m also thinking about a cross-country move — to get closer to family and friends, primarily.   It’s an idea I’ve been kicking around for several years, but with real estate in the tank recently it wasn’t feasible to sell my house for enough to make it worthwhile.    But recent recoveries in the market changed the equation … I talked to my Realtor and we decided to give it a shot.   The house went on the market, and 8 days later it was under contract.    The market was stronger than I realized.

    I followed this up with a trip to Atlanta, I called it a house hunting trip but honestly I would have been satisfied just to eliminate a few areas from consideration and narrow the focus somewhat.   Finding neighborhoods, and not necessarily “the” house, was my goal.    But again, things went better than expected, and by the end of last week I was under contract on a house there.

    Now is when the timing falls into place beautifully.   I need to be out of my house here in early August, but the house I just purchased is under construction and will not be ready until mid-September.     So I’m homeless for most of the month of August.     But, I do have a few prior commitments in Anaheim … so you can probably see where this is going.

    Early in August, the movers will come in, pack up my house, and roll away.    I’ll board a flight for Anaheim and enjoy the D23 Expo.   And then …. I’ll stay.    My job affords me the luxury of working from anywhere I can get an internet connection, so it’s not (exactly) an extended vacation.    I’m hoping to find a nice coffee shop or similar location to use as my office for nearly four weeks, while every evening is a chance to enjoy the Disneyland Resort at a leisurely pace I’ve never experienced.   I’ll need to keep up my training … a lap around the resort perimeter is just about the length of my daily runs, anyway, so that shouldn’t present much of a problem.   After the Dumbo Double Dare on Labor Day weekend, I’ll fly to Atlanta, where I’ll stay with family for the last couple of weeks before moving in to my new home.

    I’m really looking forward to living — however briefly — in Anaheim.    The Expo should be amazing, I’m hoping just to finish the races upright, and the time in between should be a great chance to get to know every little nook and cranny of the Disneyland resort.

    So, Disneyland friends — any suggestions?    Where’s a great place to set up with a laptop and get work done while still being part of the magic?   What are the places to see and things to do when you’ve got more than just a couple of days to run through the parks?    Anything else you’d recommend for a short-term Anaheim area resident to make sure not to miss?

  • Running the Inaugural Tower of Terror 10 miler

    I’ve never been a runner, so when my friend Trish initially suggested I join her in running the inaugural Tower of Terror 10 mile run, I declined.   I’d be happy to come along and cheer, I said,  but running 10 miles was not even a remote possibility.

    But despite my initial response, the idea did stick with me.   I knew I needed to be doing something for exercise.   And I’d heard good things about the Disney runs … my brother Marcus did the WDW Marathon years ago, and on various Disney discussion groups and podcasts it’s impossible to miss mention of the various runDisney events, and they always end up sounding like a lot of fun — except for the bit about actually running.

    I was intrigued enough to start poking around on the internet and looking at training plans … wondering what, exactly, I’d be committing myself to if I decided to do this.   I started, as many do, by looking at the Couch-to-5k training plan.   And I decided to start with that.   This was early January, and registration for the Tower of Terror event opened February 14th.   I figured I’d start training and see how my progression went over the initial four or five weeks, and then decide whether I could do it.

    Training

    As a non-runner, my initial progress was disappointing.   I continued to look at other resources, and picked up Jeff Galloway‘s book on my brother’s recommendation.   There I found the idea that I didn’t need to run 10 miles — I could use a run/walk strategy.    Suddenly it seemed much more feasible — I didn’t need to run 10 miles, I just needed to run a few minutes at a time, take a walk break, then run a few more minutes.     Another friend, Bobbi, recommended the Chi Running website and book, and there I found the technical details on form and technique that would allow me to train and run without injury.

    I don’t mean this to be a recap of the entire training process, so I’ll just briefly summarize.   I used Chi Running for my running methodology; I downloaded Galloway’s race-specific training plans from runDisney and decided, somewhat arrogantly, to follow the training plan for experienced runners looking to improve their time rather than the beginning runner’s plan.   I played with different run-walk intervals and eventually settled on 1 minute run, 1 minute walk.  My longest training run was 13.5 miles — shorter than what was called for in the training plan, but long enough to give me confidence about the 10 miler.   I headed to the race feeling good about my preparation.

    During the months of preparation, our running group had expanded; Trish recruited her friends Amanda and Sarah, and I recruited my brother Marcus and my ex Debbie.   So we had six runners of varying ages and abilities joining the more than 10,000 other runners ready to tackle the course the night of Saturday, September 29, 2012.

    Race Night

    Almost all of my training (and all of my long runs) had been morning runs, and all in relatively mild weather (I usually start running before sunrise with temperatures no higher than low 60s).   The ToT race was an evening race, starting at 10 p.m.   At race time the temperature was 80, as was the humidity.   While I’d rested most of Saturday, the previous days had been full-on Disney park days, and I was starting out with tired legs and a blister on one toe.    The heat, humidity, and initial tiredness made me realize I probably wouldn’t be doing this 10 miles as fast as I had done my training runs … and my training runs were really just trying to be fast enough to stay ahead of the “sweepers” who come along and pick up anyone who doesn’t keep the required pace of 16 minutes / mile.    During training I averaged about 13:30 minutes / mile for my longer runs.   I thought this would give me a cushion sufficient to allow for any slow-down due to heat, and also the opportunity to stop for photos along the way.

    Our group of runners was spread out from Corral A to Corral D, so clearly we wouldn’t be starting together.   And given our different paces and the large field, I really didn’t expect to be seeing others during the race … so it would have to be a big reunion at the after-party.

    But I was in the same Corral as Marcus, so we filed into the Corral B together to await the start.   Just after we had gotten into the corrals they started walking us out to the starting line.   There were a bunch of announcements and it seemed the time went by quickly — before long, the fireworks went off marking the start of the race for the wheelchair racers.   Just a few minutes later, the fireworks went off again and Corral A was off.   And then five minutes later, it was our turn, and the group surged forward through the parking entrance that marked the race start.

    We went straight only a little ways before making a sharp turn and heading up a cloverleaf section of the interchange between World Drive and Osceola Parkway.   I’d done some practice running hills, but the ramp was tilted quite awkwardly side-to-side which I really wasn’t prepared for.   I ended up walking a lot of the ramp and then tried to get into my rhythm once we got onto the level surface of the overpass.   We headed toward the Animal Kingdom.   When I hit Mile 1, my pace was 14:00 — that was slower than almost every training mile I’d done.   But I had planned to start out slow so I didn’t worry about it.    But as it turned out, that would be my fastest mile of the night.

    Course Map

    A little past Mile 2, we passed the entrance plaza for the Animal Kingdom.  (I can still hear “Attention Runners:  Speed bumps ahead” repeating endlessly).   After the turn we were headed back the way we came on Osceola Parkway.   It was a chance for me to see how many people were behind me, and I was happy to see I wasn’t in last place.

    The Osceola Parkway sections of the run were pretty dull, which is unfortunate since it made up the bulk of the race course.   Around mile 5 we turned off onto a narrow trail.   This was probably the best-themed area of the course, a narrow trail leading into the Wide World of Sports complex.   Spooky lighting, things hanging in trees, and music fit the theme.   But the trail was very narrow, forcing everyone down to a walk.   And the trail surface was rock and gravel — I was running in very thin-soled Vibrams so it was not a fun surface to walk or run on.

    We emerged from the trail into the bright lights of practice fields at the WWoS complex.   We ran most of the way around the quarter mile track ( a much nicer running surface! ) and made our way over to Champions Stadium, where we were “cheered” on by a handful of spectators who had come to watch.   (One sign I spotted read “Worst.  Parade.  Ever.”.   We were being broadcast live onto the JumboTron but I didn’t try to spot myself, at this point (a bit more than six miles in) I was really just focusing on moving forward.

    We finished mile 7 and headed back out to Osceola Parkway again, and turned back toward the studios.   At this point I’d slowed pretty much to a walk with an occasional minute or so of running thrown in every quarter mile or so.    Mile 8 went by, and then we started backtracking, running down the same tilted cloverleaf ramp that we’d covered at the start of the race.   Just before Mile 9 we entered into the Hollywood Studios near the Lights, Motors, Action attraction and ran in front of the bleacher seating for the show.   Right around here, Debbie, who had started 2 corrals (and 10 minutes) behind me, caught up with me and we did the last mile together.

    From there, it was down the backstage New York street, and then a turn to come down the alley way behind the American Idol attraction.   We looped our way around the Sorcerer’s Hat, thru the archway leading to Animation, and down Pixar Place.   There we turned backstage and began making our way toward the Tower of Terror finish.

    The backstage part was uninteresting and we mostly walked, but when we rounded the last turn, there was the finish line, and suddenly our legs were ready to run again.   We crossed the finish line with arms raised in victory and received our finisher’s medals from the volunteers.   Beyond this we were handed bananas, PowerAde, and a goodie box with other snacks.   Cruelly at this point we had to walk up a steep hill to get to the setup where finisher photos were being taken with the medals.

    After Party

    After the photos, we had to make our way over to the bag check which was at the Indiana Jones Adventure.   Never has it seemed so far from Tower of Terror to Indiana Jones … with the race done, all motivation to move had left me.   But we made our way over.   I made my way down the IJ steps like a 90-year old man, retrieved my bag, and sat in the bleachers for a few minutes before making my way to the changing tents.  After changing we met up with Marcus and his wife Ginny at Toy Story Mania.  We walked up to Rock n Roller coaster, where we ran into Trish.   I really wanted to do Tower of Terror post-race, but the wait suddenly went from 20 minutes to 55 minutes while we were standing around talking, and I decided to catch it another time.    As it turns out, I ended up not getting on a ride during the after-party, just standing around and talking (we eventually ran into Amanda and Sarah also, so the entire party was accounted for and everyone had finished without injury or incident).

    I was really happy to finish my first runDisney race, and I’m looking forward to the WDW half-marathon in January, where I’m hoping the heat and humidity will be friendlier and I’ll put in a performance more in line with what I’ve seen in my training.   But since it’s my first 10-miler, it’s a PR, and I’ll take it proudly.