Tag: Walt Disney

  • A Walk in Walt’s Disneyland Footsteps

    During the D23 Expo, I made many new friends, and there was a lot of sharing of what we were doing around the parks before and after the Expo.     One thing that was mentioned more than once was the Walk in Walt’s Disneyland Footsteps guided tour at Disneyland.    A version of this tour has been offered for some time, but it has been recently upgraded and revamped, and everyone who had taken it spoke of it very highly.    Since I was going to be in town for a while after the Expo, I called the Disneyland Tour number ( 714-781-TOUR ) and reserved a spot for myself.

    The tour meets at the Guided Tour garden, across from the Main Street train station and adjacent to City Hall.    Upon check-in I was asked to make a meal selection from the Jolly Holiday Bakery menu, as we would be served a meal at the tour conclusion  (since I was on the afternoon tour, this was essentially dinner even though the tour description referred to it as lunch).      We were given bottles of water while we waited — nice since it was a warm day.    A few minutes before our 2:30 tour was scheduled to begin, our tour guide, Mia, began introducing herself to the guests and handing out the audio devices we would use to hear Mia and also to listen to pre-recorded portions of the tour.     (The pre-recorded portions were almost entirely snippets of Walt Disney talking about whatever we were currently seeing on the tour, and occasionally a bit of music).

    The tour starts across from the Disneyland Train Station
    The tour starts across from the Disneyland Train Station

    Once everyone was wired up and name badged, we headed over to our first stop, which was the Main Street Fire Station.    Mia told us a bit about the overall design of Main Street — that while it pulls some elements from Walt’s home town of Marceline, MO, it was really not intended to be any specific place.  Every visitor is supposed to see a bit of their own home town in it.    The train station and city hall are largely based on ones in Fort Collins, CO, the home town of Imagineer Harper Goff, who designed those buildings for Main Street.

    First stop:  The Fire Department.   Walt's private apartment, above, is where we will conclude the tour.
    First stop: The Fire Department. Walt’s private apartment, above, is where we will conclude the tour.

    From there, we made the short walk over to the Town Square.    We stood in front of the flagpole, right about at the spot where Walt delivered his opening day dedication.   We listened to a recording of that speech.   Mia shared several stories about the park’s opening day, which was not practically perfect in every way.

    Hearing about Walt's opening day dedication
    Hearing about Walt’s opening day dedication

    We proceeded down Main Street, making particular note of the many windows in the upper floors of the buildings which are dedicated to particular figures in Disney history that made lasting contributions.    I saw Imagineer Rolly Crump’s window; I was actually looking for the Sherman Brothers but missed it, so I’ll have to go back and look more carefully.    At the end of Main Street we paused at the Hub, to the side of the Partners statue,  while Mia discussed the overall hub-and-spoke design of the park and the use of “weinies” to pull the guest along from one area to another.

    At the Hub
    At the Hub

    We moved on to the castle forecourt, and learned that the castle drawbridge is actually operational, and how opening the drawbridge was a dramatic flourish on opening day.     We made our way across the drawbridge, through the castle, and into Fantasyland.

    In Fantasyland we rode Peter Pan’s Flight, one of the original opening day attractions, and still one of the more popular attractions in the park.

    In Fantasyland, about to ride Peter Pans Flight
    In Fantasyland, about to ride Peter Pans Flight

    From Peter Pan, we made our way over to New Orleans Square.   Here Mia told us about some of the non-public areas that were designed for Walt’s personal use and to entertain important visitors:  an expanded apartment over Pirates of the Caribbean (that Walt never got to use), Club 33, and a planned but never completed Jazz club.

    We proceeded to the entrance to Club 33 — a very exclusive dining establishment for members only.    The waiting list for membership is quite long, and the membership cost is quite extravagant.    It’s on my bucket list to dine there someday, but for now, we were able to enter the lobby, which is not open to the public.   So while it’s not lunch or dinner at the Club, it’s still a very special opportunity, and I think one that everyone there really appreciated.

    In front of Club 33
    In front of Club 33
    We wait by the door while Mia bribes some guards, or something
    We wait by the door while Mia bribes some guards, or something
    It appears to have worked, we're in!
    It appears to have worked, we’re in!
    The small, but very elegant, lobby area
    The small, but very elegant, lobby area
    Stairs or an old-fashioned lift provide access to the dining areas upstairs
    Stairs or an old-fashioned lift provide access to the dining areas upstairs

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    In the lift -- should I just push '2' and go for it?
    In the lift — should I just push ‘2’ and go for it?

    After spending a nice amount of time in the Club 33 lobby — it’s very nice that we didn’t feel rushed through here and everyone got to take pictures in the lift — we made our way over to an area next to the Haunted Mansion, where we learned a little about the various early concepts for both the Mansion (or The Museum of the Weird) and Pirates of the Caribbean (or Blue Bayou Lagoon).   Here we listened to more audio of Walt, along with Imagineer Claude Coats, describing the concepts of the attractions as they were envisioned at the time.    We’ll hear more about these attractions later, but the interesting bit at this point was that both of these rides were originally conceived as walk-though attractions.

    At this point, roughly the midpoint of our tour, we paused for a restroom break.   When we resumed, we crossed the park into Tomorrowland, taking up a spot in front of the Carousel of Progress.    (Yes, it’s Innoventions now, and if you’re a bit younger than me perhaps to you it’s America Sings.)     While standing here Mia told us some stories about the various incarnations of the Fantasyland and Tomorrowland Autopias that have existed over the years.   (I can’t share all the great stories, as then there’d be less reason to take the tour)

    From here we moved over to a location between the Finding Nemo submarine voyage lagoon and the Matterhorn.   We heard about the major expansion of Tomorrowland in the late 1950s that brought the Matternhorn and Monorail attractions to the park, and how innovative the steel tube, block dispatch system for the Matterhorn was.

    We moved over to it’s a small world to hear stories about what a turning point the 1964-65 New York World’s Fair proved to be for Disneyland.    Creating rides and attractions for a theme park like Disneyland is an expensive proposition … but with the World’s Fair, Disney was actually paid by sponsors to develop attractions that would later find their way back to the parks.    The attractions that were designed this way included Great Moments with Mr. Lincoln, The Carousel of Progress, it’s a small world, and Ford’s Magic Skyway (which morphed into the PeopleMover System).   The Primeval World diorama seen along the Disneyland Railroad also came from the Magic Skyway exhibit.

    I was aware of these attractions, and their World’s Fair heritage, prior to the tour.   But I didn’t realize that the Magic Skyway ride system was also the precursor to the Haunted Mansion’s OmniMover system (also used on a number of later rides),  and the small world boat system was similarly served as a prototype for the Pirates of the Caribbean flume.    So we can also credit the Worlds Fair experience of the Disney Imagineers for giving us those attractions in their current forms.

    Now we crossed the park again, making our way to the Enchanted Tiki Room.    While this is an attraction many guests love to hate, I’ve always enjoyed it.    We experienced the show after hearing about Walt’s early work with audio animatronics.

    Now our tour is almost at an end.   We make our way back up Main Street and stop in the gallery outside Great Moments with Mr. Lincoln.   Here, standing in front of the last picture of Walt Disney taken inside his park, we hear about his illness and death in 1966.

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    We then cross back over to the tour garden, where we are divided into smaller groups to go upstairs over the Firehouse and view Walt’s apartment.    Although we aren’t allowed to take photos in the apartment, our tour guide will take a picture of each of us, using our cameras, so I get a picture in front of the lamp that is always lit to signify Walt’s ongoing presence in the park.

    In Walt's apartment above the Fire Dept.
    In Walt’s apartment above the Fire Dept.

    The tour was a wonderful experience — the access to Club 33 and Walt’s apartment are two very special experiences that by themselves justify taking the tour.    Hearing Walt talk about the park — the only Disney park in the world that he personally visited — while standing in the places he stood, or in front of the attractions he was talking about on his show, is just a really special way to experience these stories, even if you’ve heard them before.

    At the conclusion of the tour, we came back to the Guided Tour area for the final time, and sat at the shaded tables there to eat the meals we had ordered at check-in.    Mia circulated around the tables, continuing to answer questions or share stories, or pose for pictures with the guests.    We all received the Walk in Walt’s Disneyland Footsteps pin, featuring a well-known photograph of Walt on the front and a reproduction of the park dedication plaque inside, along with a silhouette of the Partners statue.    Even though I don’t collect many pins this one is a very nice keepsake from the experience.

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    I had to get a picture with Mia after the tour
    I had to get a picture with Mia after the tour

    The Walk in Walt’s Footsteps Tour is currently offered twice daily, at 9:30 a.m  and 2:30 p.m.   For more information and reservations visit the official tour page.

  • D23 Expo 2013: Live Action (Part 2: Disney Nature, Disney Studios)

    (Part I of the Studios live-action presentation recap is here).

    Disney Nature

    The next Disney Nature film will be released on Earth Day 2014, and is titled Bears.   We saw the trailer, being shown for the first time anywhere, which featured footage of a family of bears in the Alaskan wilderness.

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    The last portion of the Studios live-action presentation was from Disney Studios, and was presented by the studio’s President of Live Action Production, Sean Bailey

    Muppets Most Wanted

    The setup here is that there is an international jewel thief that looks exactly like Kermit (well, almost — the jewel thief has a mole that Kermit lacks).   We saw a bit of footage from the film and an especially-for-D23 filmed bit from the set, where Miss Piggy was under the mistaken impression that she was addressing P23, the world’s largest gathering of Miss Piggy fans.   Ricky Gervais, Tina Fey, and Ty Burrell join the Muppets.   Ty then drove onto stage in a very tiny car and chatted about the film for a bit before shoehorning himself back into the car to drive away.

    Into the Woods

    This filmed adaptation of Stephen Sondheim’s musical fairy tale was previously announced, but this presentation was the first announcement of the film’s cast.

    Meryl Streep will play the witch.   Johnny Depp with play the Big Bad Wolf.   Other cast members include Anna Kendrick, Chris Pine, and Emily Blunt.

    Rob Marshall (Chicago, Pirates of the Caribbean 4) directs.

    Cinderella

    Director Kenneth Branagh brings the classic fairy tale to the big screen in March 2015.   We were the first audience to see a sneak peek.   There isn’t much at this point, really just some costume tests (and we were told Cinderella’s gown may change).    Cast includes Lily James (Cinderella), Richard Madden (Prince Charming), Cate Blanchett (Stepmother), and Helena Bonham Carter (Fairy Godmother).

    Maleficient

    Coming July 2014; Director Robert Stromberg, Producer Joe Roth, and writer Linda Wolverton (Beauty and the Beast, The Lion King).    Starring Angelina Jolie (as Maleficient) and Elle Fanning (as Aurora).

    Angelina Jolie was on hand to talk about the film; says that since a child she has been drawn to the Maleficient character.    We were the first audience to ever see the trailer for the film; the trailer mostly features Maleficient laying a curse on the infant Princess Aurora, but that scene was intercut with various other scenes from the film.   Angelina looks quite frightening in the role and shared that when children would visit the set, they would generally want nothing to do with her if she tried to approach and greet them in a friendly manner.   (And in fact, her daughter plays the infant princess in some scenes because they were unable to find anyone else that wasn’t scared of her!)

    Tomorrowland

    Just not sure what to say about this one … if may turn out to be something very interesting, but the entire setup for the film is just a huge campaign of lies and misdirection, and I don’t think that’s the way to set about getting people excited about your project.

    The presentation starts with the explanation of this mysterious box (labeled “1952”) that was found deep in the Disney archives.    Director/Producer/Writer Brad Bird and Writer/Producer Damon Lindelof came on stage to show us some of the contents found in this mysterious box — like a photo of Walt Disney and Amelia Earhart dated two years after her disappearance, an “Amazing Stories” comic book from 1928 with a mysterious hidden message, and a blueprint for the It’s a Small World attraction which, viewed under black light of the appropriate wavelength, reveals hidden rooms under the ride.

    After the presentation ended, for the rest of the Expo you could view the contents of this mysterious box on the show floor, but any attempt to photograph anything would bring security on the run.    Must protect these precious fake artifacts!

    Lindelof is best known as one of the produces behind Lost — which I loved.   But in Lost, we were drawn in first and foremost because we cared about the characters, and then we were presented with a complex, layered mystery to unravel.    Here we are being given what I’m sure is an equally complex and multi-layered mystery — but we aren’t being given any reason to care.    Maybe that will change as we learn more.

    Tomorrowland is a December 2014 release starring George Clooney.    OK, I think I see why people will care.

    Saving Mr. Banks

    The story behind the story of bringing Mary Poppins to the screen; in particular, the difficult relationship between Walt Disney and author P L Travers as Disney attempts to get the rights to make the film.  Mrs. Travers (as she insists she be called, to no avail) has no interest in selling the rights, especially not to this man who makes cartoons.

    As must as I’d like to, in the short amount of film we saw I just can’t stop seeing Tom Hanks; putting a mustache on him doesn’t make him disappear into the role.   I hope that’s just an initial reaction and that in a feature length film I’ll be able to forget it’s Tom and completely accept him as Walt Disney.

    The footage we were shown looks great; I’m not sure how much of it is “true” and how much of it is “based on a true story”, but either way it looks like it’s going to be very entertaining, and quite funny.

    Besides Hanks and Thompson, the film features Jason Schwartzman and B. J. Novak as composers Richard and Robert Sherman, Bradley Whitford as screenwriter Don DaGiadi, Colin Farrell, and Paul Giamatti.

    B.J. Novak and Jason Schwartzman came on stage to talk about playing the Sherman brothers and getting to work with Richard Sherman  (Sherman even worked with Schwartzman, who plays the piano, to show him how to handle the phrasing).   An upright piano was then rolled out onto stage and they led us in a sing-a-long of Let’s Go Fly a Kite.   Richard Sherman joined them onstage (to a standing ovation)  to close out the studios presentation and send us off to our next Expo experience.

     

  • Treasures of the Walt Disney Archives

    As chronicled in the last couple of blog posts, I made a recent visit to Southern California to see Disneyland during the Christmas holidays and to visit the Reagan Presidential Library.    The Reagan Library is current hosting (through April 2013) an exhibition entitled Treasures of the Walt Disney Archives.

    The exhibition is presented by the Disney Archives, and includes many unique items from throughout the history of the Disney organization.    Because of the venue, some of the items selected for the display highlight Disney’s connection to Reagan (his work for Disney included emceeing Disneyland’s opening day broadcast) or to the presidency in general (Hall of Presidents sculptures, for example).   But the exhibition is far broader than just a few tie-ins.   Some of the items have been displayed before (such as at similar exhibitions at the D23 Expo in 2009 and 2011), but some are being displayed to the public for the first time.

    In the earlier galleries, we see items such as a movie poster from one of the Alice comedies.  (These early films combined live action and animation and were loosely based on Alice in Wonderland).   We also see a pencil sketch of Oswald the Lucky Rabbit — the animated character that Walt developed prior to Mickey Mouse.   And of course we see the early Mickey Mouse, including some of the early merchandising efforts for the character.

    Poster from an Alice comedy
    Poster from an Alice comedy
    Oswald the Lucky Rabbit pencil sketch
    Oswald the Lucky Rabbit pencil sketch
    Early Mickey Mouse merchandise
    Early Mickey Mouse merchandise

    There are cels here from some of the most notable early Disney animation shorts, including Academy Award winning Silly Symphonies Flowers and Trees (the first color cartoon) and The Three Little Pigs (famous for the song “Who’s afraid of the Big Bad Wolf”).

    Cel from Silly Symphony "Flowers and Trees"
    Cel from Silly Symphony “Flowers and Trees”
    Cel from Silly Symphony "The Three Little Pigs"
    Cel from Silly Symphony “The Three Little Pigs”

    While animation buffs (such as myself) are likely to be familiar with a lot of the short features highlighted here, it was the move into feature length animation that really set Disney apart from what every other studio was doing.   One of the interesting artifacts on display was a partial Snow White costume, worn by Marge Champion when doing live action reference for the animators.

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    Several of the feature length animated features started in the same fashion — with a shot of a story book.   As the camera zoomed in, the story book would open, and we would dissolve into the animated scene.   Several of these storybooks (from Snow White, Sleeping Beauty, and Cinderella) were on display, including some of the interior pages.

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    Also on display was Herb Ryman’s original Disneyland sketch.   The story of this sketch is that Walt needed something to show to investors, and Herb produced this very detailed sketch over the course of a weekend as Walt described what should be in the various areas of the park.

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    Another fascinating exhibit was a full-scale re-creation of Walt’s formal office — every detail just as he left it, right down to the ordering of books in the bookcases (including one that is shelved upside down, because that’s the way Walt had left it).

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    After leaving this area of the exhibit, we start seeing props and costumes from some of Disney’s most well-known live action films from the early days.   This includes 20,000 Leagues Under the Sea (Nautilus submarine model), The Absent-Minded Professor (Model T), and Mary Poppins (Julie Andrew’s costume).

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    Still more costumes … we get costumes and an office set for Cruella de Vil (from the live-action 101 Dalmatians movie), Belle’s ball gown from the Broadway Production of Beauty and the Beast, several costumes from Annie Leibovitz’ Disney Dreams photo series (Tiny Fey’s Tinkerbell,  Scarlett Johansson’s Cinderella, and Rachel Weisz’ Snow White), and Whitney Houston’s fairly godmother costume from a TV production of Cinderella.

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    Yes, we do have more costumes — here are 3 from Enhanted:  Giselle’s wedding dress (Amy Adams), and costumes worn by James Marsden (Edward) and Susan Sarandon (evil stepmother / wicked queen)

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    We also have some props and costumes from Alice in Wonderland . . .

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    . . . and also from Tron (both the original and the recent sequel)

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    We have quite a bit from the Pirates of the Caribbean series:

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    Last of the movie stuff:  props from Marvel movies (Iron Man 2, Captain America, and the Avengers)

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    We also get to see some interesting items from the theme parks:  Malificient in dragon form (from Fantasmic!), hitch hiking ghosts from the Haunted Mansion, a ride vehicle from Mr. Toad, and busts of all the presidents from the Hall of Presidents:

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    This is far from everything that is on display at the exhibit, but I hope serves to give a good flavor of the kind of items that are on display.    The Reagan Library and the Treasures of the Walt Disney Archives exhibit are both worthwhile, and I really enjoyed the day I spent there.