Category: Disney

  • A New App and a New Blog

    Yesterday my first-ever iPhone app launched in the App Store for Apple’s iOS devices (iPhone, iPad, iPod Touch).    The link to download the app is at right and also below.

    I have also created a new blog specifically for the app — I didn’t want to post a bunch of stuff here that would only be of interest to users of the app, so if you’re interested in the app, please follow The Sorcerer’s App blog to get the latest news about the app.

    But I thought it would be appropriate to post more of a personal story here of how the idea for the app came to me, and some of the fun and challenges along the way.   So stay tuned over the coming days and I’ll share some of the backstory of creating the app.    In the meantime, if you’re a player of Sorcerers of the Magic Kingdom, please check out the app.    If you aren’t yet a player but are planning a visit to the Magic Kingdom in the future, take a look and see if it’s something you want to include as part of your next trip to Walt Disney World.

    Download the Sorcerer’s Apprentice

  • Treasures of the Walt Disney Archives

    As chronicled in the last couple of blog posts, I made a recent visit to Southern California to see Disneyland during the Christmas holidays and to visit the Reagan Presidential Library.    The Reagan Library is current hosting (through April 2013) an exhibition entitled Treasures of the Walt Disney Archives.

    The exhibition is presented by the Disney Archives, and includes many unique items from throughout the history of the Disney organization.    Because of the venue, some of the items selected for the display highlight Disney’s connection to Reagan (his work for Disney included emceeing Disneyland’s opening day broadcast) or to the presidency in general (Hall of Presidents sculptures, for example).   But the exhibition is far broader than just a few tie-ins.   Some of the items have been displayed before (such as at similar exhibitions at the D23 Expo in 2009 and 2011), but some are being displayed to the public for the first time.

    In the earlier galleries, we see items such as a movie poster from one of the Alice comedies.  (These early films combined live action and animation and were loosely based on Alice in Wonderland).   We also see a pencil sketch of Oswald the Lucky Rabbit — the animated character that Walt developed prior to Mickey Mouse.   And of course we see the early Mickey Mouse, including some of the early merchandising efforts for the character.

    Poster from an Alice comedy
    Poster from an Alice comedy
    Oswald the Lucky Rabbit pencil sketch
    Oswald the Lucky Rabbit pencil sketch
    Early Mickey Mouse merchandise
    Early Mickey Mouse merchandise

    There are cels here from some of the most notable early Disney animation shorts, including Academy Award winning Silly Symphonies Flowers and Trees (the first color cartoon) and The Three Little Pigs (famous for the song “Who’s afraid of the Big Bad Wolf”).

    Cel from Silly Symphony "Flowers and Trees"
    Cel from Silly Symphony “Flowers and Trees”
    Cel from Silly Symphony "The Three Little Pigs"
    Cel from Silly Symphony “The Three Little Pigs”

    While animation buffs (such as myself) are likely to be familiar with a lot of the short features highlighted here, it was the move into feature length animation that really set Disney apart from what every other studio was doing.   One of the interesting artifacts on display was a partial Snow White costume, worn by Marge Champion when doing live action reference for the animators.

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    Several of the feature length animated features started in the same fashion — with a shot of a story book.   As the camera zoomed in, the story book would open, and we would dissolve into the animated scene.   Several of these storybooks (from Snow White, Sleeping Beauty, and Cinderella) were on display, including some of the interior pages.

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    Also on display was Herb Ryman’s original Disneyland sketch.   The story of this sketch is that Walt needed something to show to investors, and Herb produced this very detailed sketch over the course of a weekend as Walt described what should be in the various areas of the park.

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    Another fascinating exhibit was a full-scale re-creation of Walt’s formal office — every detail just as he left it, right down to the ordering of books in the bookcases (including one that is shelved upside down, because that’s the way Walt had left it).

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    After leaving this area of the exhibit, we start seeing props and costumes from some of Disney’s most well-known live action films from the early days.   This includes 20,000 Leagues Under the Sea (Nautilus submarine model), The Absent-Minded Professor (Model T), and Mary Poppins (Julie Andrew’s costume).

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    Still more costumes … we get costumes and an office set for Cruella de Vil (from the live-action 101 Dalmatians movie), Belle’s ball gown from the Broadway Production of Beauty and the Beast, several costumes from Annie Leibovitz’ Disney Dreams photo series (Tiny Fey’s Tinkerbell,  Scarlett Johansson’s Cinderella, and Rachel Weisz’ Snow White), and Whitney Houston’s fairly godmother costume from a TV production of Cinderella.

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    Yes, we do have more costumes — here are 3 from Enhanted:  Giselle’s wedding dress (Amy Adams), and costumes worn by James Marsden (Edward) and Susan Sarandon (evil stepmother / wicked queen)

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    We also have some props and costumes from Alice in Wonderland . . .

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    . . . and also from Tron (both the original and the recent sequel)

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    We have quite a bit from the Pirates of the Caribbean series:

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    Last of the movie stuff:  props from Marvel movies (Iron Man 2, Captain America, and the Avengers)

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    We also get to see some interesting items from the theme parks:  Malificient in dragon form (from Fantasmic!), hitch hiking ghosts from the Haunted Mansion, a ride vehicle from Mr. Toad, and busts of all the presidents from the Hall of Presidents:

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    This is far from everything that is on display at the exhibit, but I hope serves to give a good flavor of the kind of items that are on display.    The Reagan Library and the Treasures of the Walt Disney Archives exhibit are both worthwhile, and I really enjoyed the day I spent there.

  • Disney Christmas: West Coast Edition

    I’ve been a regular visitor to the Walt Disney World resort during the holiday season for many years; but this year is the first time I’ve made a similarly timed trip to the Disneyland resort.    I was excited to see what would seem familiar and what would be different about experiencing Disney holidays west coast style.

    In just a few days I’ll be off to WDW, so this will be a bi-coastal Disney Christmas year for me … truly a Jolly Holiday.   A follow-up posting on the East Coast version of Disney Holidays will be following soon.

    Disneyland

    My favorite part of the Disneyland Christmas experience was two attractions that are re-themed with holiday overlays .. the Haunted Mansion and it’s a small world.   While both of these attractions are also at the Magic Kingdom in Florida, it is only at the California park that they get a full makeover for the holiday season.

    While both are well done, the Haunted Mansion holiday is to me the hands-down winner for best extreme makeover.   The Haunted Mansion is taken over by Jack Skellington and other characters from the Nightmare before Christmas.   Every scene in every room is made over — from the stretching room to the graveyard, it’s an entirely new attraction.   Calling it an overlay just doesn’t do justice to how completely the attraction is transformed for the holidays.

    The few pictures below don’t begin to convey the full effect — this is something you have to experience!

    Haunted Mansion Holiday
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    The second attraction to get the holiday overlay treatment is it’s a small world. Here, the soundtrack now includes both the attraction theme song and Jingle Bells, alternating back and forth for the duration of the ride. (As we pass Ariel in one scene, the words changed to Jingle Shells — I wonder if there were any other variations that I missed?)

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    Other than these two attractions, the area of the park most transformed for the holidays is Main Street. Garland is hung across the street along the entire length; there is of course the giant Christmas Tree in town square, and Sleeping Beauty Castle is adorned in holiday decorations. It was interesting to note that the same Castle Dream Lights treatment is done at both parks, but the presentation is quite different. At the Magic Kingdom, once dusk falls and the castle is lit, it is given the full dream lights treatment. At Disneyland, the dream lights are held back until the finale of the fireworks.

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    Disney’s California Adventure

    At DCA, the Buena Vista Street area provides traditional Christmas decor and entertainment — the obligatory giant tree in front of the shops, a wreath hung on the Carthay Circle Theater’s tower, and garland adorning the buildings and lamp posts.   A wandering group of bell ringers (who are also carolers) provide festive holiday entertainment.    The decorations and entertainment are well matched to the theme of 1920s and 30s Hollywood.

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    Back in Cars Land, we get a far more whimsical and fanciful Christmas.    The cars have decorated their land as only cars would — with traffic cones, hubcaps, air filters, and whitewall tires for wreaths.   It’s impossible to spend time in the area without breaking into a big grin at the cleverness of the decorating.

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    That’s it for this brief look at Disneyland and Disney’s California Adventure during the Christmas season.    A look at the Florida parks is coming soon.

     

  • A First Visit to Cars Land and Buena Vista Street

    A while back I visited the Cars Land and Buena Vista Street areas of Disney’s California Adventure for the first time.

    Buena Vista Street

    Buena Vista Street is a nice addition to the park; it does a great job of setting the mood and transporting the visitor to a different time and place.    The area is filled with references to Disney history, such as Oswald’s gas station and the Elias and Company store.    There are no rides or attractions here; the area serves the same purpose as Main Street U.S.A in the Disneyland park — the transition from the outside world of reality to the world of imagination and possibilities.   Oh, and to sell you some souvenirs.

    The centerpiece of the new Buena Vista Street area is the Carthay Circle Theater — a reproduction of the theatre where Snow White premiered in 1937.    Here, the building serves not as a theater but as a lounge (downstairs) and restaurant (upstairs).   The restaurant is the nicest of any inside a Disneyland Resort theme park (at least any open to the general public — I unfortunately haven’t had the experience of Club 33 to make a comparison).

    I did have a chance to have dinner at the Carthay Circle, and found it elegant and very enjoyable.    I look forward to returning and trying more things off the menu there, and perhaps writing up a review after I’ve given it a few more visits.

    Cars Land

    While the Buena Vista Street area is a nice addition, it’s Cars Land that has really completely transformed the park.    No longer will guests complain that DCA was better as a parking lot.   With this expansion, DCA has finally become a worthy sibling to Disneyland — what it lacks in legacy and history it can now make up for in theming and the appeal of great ride experiences.

    The thing that really stands out about Cars Land is how immersive the theming is.   The rock work is incredible and sets the mood for the entire area.  It’s impressive during the day, but at night it becomes truly breathtaking.  Every detail of Cars Land — signage, road signs, the single blinking traffic signal — helps create the illusion that you’re in Radiator Springs.   I don’t think Disney has ever done theming this well — and while I’m sure Universal’s Harry Potter gets some of the credit here, having heard John Lasseter talk about Cars Land at the 2011 D23 Expo, I know that he was the driving force behind making the theming as thorough and immersive as it is throughout the area.

    Mater’s Junkyard Jamboree

    There are three attractions in Cars Land; the first one you encounter is Mater’s Junkyard Jamboree.   The ride consists of tractors pulling wagons; guests ride in the wagon.  The tractors are on turntables, similar to the teacups ride at Disneyland.   The tractors actually transition from one turntable to another, interleaving with the other tractors.  The wagons swing first to one side and then the other as the tractors change direction as the weave around the turntables.   It’s quite a fun ride and the experience is enhanced by the soundtrack — a variety of songs sung by Mater (Larry the Cable Guy) provides the music for what I suppose is a giant tractor square dance.

    Luigi’s Flying Tires

    The next attraction is Luigi’s Flying Tires.   I never got to experience the Flying Saucers ride at Disneyland, and always felt that I’d missed out on something special.   Now I feel like I’ve had the chance to experience something very similar — and it turns out, I guess I hadn’t missed that much.   The ride sounds much better in concept than it comes across in execution.   The ride vehicles are giant tires.  The surface is in essence a giant air hockey table, where air jets (rigged to open only when a tire passes over them) lift the tires, allowing them to float on a cushion of air and glide around the ride area.   The problem is, this ride moves so slowly that the motion is barely perceptible.   A joystick that allowed the riders to spin the vehicles was removed before the ride opened (apparently it made operating the vehicles too confusing).    Movement is controlled by leaning in the direction you want to travel.    I’ve heard there is some skill involved here, and perhaps with practice it’s possible to get the tires moving at a more rapid clip — but if true, I didn’t see anyone managing that during the time I rode or watched the ride.

    When we rode, there were giant beach balls that you could bat around the area, in an attempt to create some sense that something was moving, even if it’s not you.   The beach balls disappeared only a few days after we were there … apparently some riders were getting a bit too aggressive with them.

    I’ve read on other blogs that the spinning mechanisms (essentially dead weight since the joysticks were removed) are being removed, which will lighten the vehicles somewhat.   I’ll give Luigi’s another try next time I visit; maybe with practice, and lighter vehicles, there’s a fun ride here.   But my initial experience puts it a distant third to the other two attractions in the area.

    Radiator Springs Racers

    Now we come to the E Ticket attraction.   The basic mechanics of the Races is obviously borrowed from Test Track at EPCOT.    Test Track is a great ride … it’s always been popular, and when I first heard that the Radiator Springs Racers would have a top speed only about half what Test Track achieves, I thought the Racers would end up being the inferior ride … I expected it to be a nice, enjoyable ride, but didn’t think it would come up to the high bar set by the WDW inspiration.

    Well, I was wrong.   I think what Radiator Springs Racers does is shows how critical story is to making a truly great ride.    Yes, Test Track has a story line, and it’s well done … but let’s face it, nobody rides Test Track because of the story.    And I doubt many people ride for the various story-related scenarios that you’re put through in the first half of the ride — it’s all about crashing through that barrier and getting to the high-speed outdoor segment.

    With Radiator Springs racers, the slow, more story-driven part of the ride is every bit as enjoyable as the race.   Right as you start, as you wind your way through the hillsides and take in the spectacular waterfall, you realize you’re in for an amazing ride.    (This part of the ride is especially enjoyable at night).   You then ride through the town of Radiator Springs (not the one you just walked through to get here … there’s another recreation of the town inside the ride).   Many of the characters from Cars make appearances, and set up the story of the race that’s about to take place.    There are some nice effects here, although a few weren’t working properly during my visit … giving me a reason to make a return trip soon.

    After getting new tires or a new paint job (depending on which fork in the road you take), you pull up to the starting line and the race begins.   Although the speed isn’t as great as Test Track, the course is more compact — with tighter turns and quick elevation changes, your need for speed will be satisfied.

    Radiator Springs Racers is very popular — Fast Passes were running out within the first hour the park was open, and the standby line was regularly over two hours.   But it is without a doubt worth it.     The ride is best at night — when we were there, fast pass return times weren’t being enforced, so you could get a fast pass first thing in the morning and then ride late at night.   Unfortunately, I’ve heard this is no longer permitted, and that the return times are now being enforced.

    Dining:  Flo’s V8 Cafe and the Cozy Cone Motel

    There are a couple of dining options in Cars Land.   For quick service, there are the cones of the Cozy Cone motel.   For a counter service, sit down meal, there is Flo’s V8 Cafe.   Flo’s has a much nicer menu than is typical for counter service — turkey and dressing, pork loin, etc.    It can get quite crowded at peak times.

    Wrap-up

    I really enjoyed my first visit to the new Cars Land and Buena Vista Street areas of the DCA park.   I’m looking forward to visiting again during the holidays, experiencing all the attractions again and seeing how the these areas are decorated for the Christmas season.

  • Running the Inaugural Tower of Terror 10 miler

    I’ve never been a runner, so when my friend Trish initially suggested I join her in running the inaugural Tower of Terror 10 mile run, I declined.   I’d be happy to come along and cheer, I said,  but running 10 miles was not even a remote possibility.

    But despite my initial response, the idea did stick with me.   I knew I needed to be doing something for exercise.   And I’d heard good things about the Disney runs … my brother Marcus did the WDW Marathon years ago, and on various Disney discussion groups and podcasts it’s impossible to miss mention of the various runDisney events, and they always end up sounding like a lot of fun — except for the bit about actually running.

    I was intrigued enough to start poking around on the internet and looking at training plans … wondering what, exactly, I’d be committing myself to if I decided to do this.   I started, as many do, by looking at the Couch-to-5k training plan.   And I decided to start with that.   This was early January, and registration for the Tower of Terror event opened February 14th.   I figured I’d start training and see how my progression went over the initial four or five weeks, and then decide whether I could do it.

    Training

    As a non-runner, my initial progress was disappointing.   I continued to look at other resources, and picked up Jeff Galloway‘s book on my brother’s recommendation.   There I found the idea that I didn’t need to run 10 miles — I could use a run/walk strategy.    Suddenly it seemed much more feasible — I didn’t need to run 10 miles, I just needed to run a few minutes at a time, take a walk break, then run a few more minutes.     Another friend, Bobbi, recommended the Chi Running website and book, and there I found the technical details on form and technique that would allow me to train and run without injury.

    I don’t mean this to be a recap of the entire training process, so I’ll just briefly summarize.   I used Chi Running for my running methodology; I downloaded Galloway’s race-specific training plans from runDisney and decided, somewhat arrogantly, to follow the training plan for experienced runners looking to improve their time rather than the beginning runner’s plan.   I played with different run-walk intervals and eventually settled on 1 minute run, 1 minute walk.  My longest training run was 13.5 miles — shorter than what was called for in the training plan, but long enough to give me confidence about the 10 miler.   I headed to the race feeling good about my preparation.

    During the months of preparation, our running group had expanded; Trish recruited her friends Amanda and Sarah, and I recruited my brother Marcus and my ex Debbie.   So we had six runners of varying ages and abilities joining the more than 10,000 other runners ready to tackle the course the night of Saturday, September 29, 2012.

    Race Night

    Almost all of my training (and all of my long runs) had been morning runs, and all in relatively mild weather (I usually start running before sunrise with temperatures no higher than low 60s).   The ToT race was an evening race, starting at 10 p.m.   At race time the temperature was 80, as was the humidity.   While I’d rested most of Saturday, the previous days had been full-on Disney park days, and I was starting out with tired legs and a blister on one toe.    The heat, humidity, and initial tiredness made me realize I probably wouldn’t be doing this 10 miles as fast as I had done my training runs … and my training runs were really just trying to be fast enough to stay ahead of the “sweepers” who come along and pick up anyone who doesn’t keep the required pace of 16 minutes / mile.    During training I averaged about 13:30 minutes / mile for my longer runs.   I thought this would give me a cushion sufficient to allow for any slow-down due to heat, and also the opportunity to stop for photos along the way.

    Our group of runners was spread out from Corral A to Corral D, so clearly we wouldn’t be starting together.   And given our different paces and the large field, I really didn’t expect to be seeing others during the race … so it would have to be a big reunion at the after-party.

    But I was in the same Corral as Marcus, so we filed into the Corral B together to await the start.   Just after we had gotten into the corrals they started walking us out to the starting line.   There were a bunch of announcements and it seemed the time went by quickly — before long, the fireworks went off marking the start of the race for the wheelchair racers.   Just a few minutes later, the fireworks went off again and Corral A was off.   And then five minutes later, it was our turn, and the group surged forward through the parking entrance that marked the race start.

    We went straight only a little ways before making a sharp turn and heading up a cloverleaf section of the interchange between World Drive and Osceola Parkway.   I’d done some practice running hills, but the ramp was tilted quite awkwardly side-to-side which I really wasn’t prepared for.   I ended up walking a lot of the ramp and then tried to get into my rhythm once we got onto the level surface of the overpass.   We headed toward the Animal Kingdom.   When I hit Mile 1, my pace was 14:00 — that was slower than almost every training mile I’d done.   But I had planned to start out slow so I didn’t worry about it.    But as it turned out, that would be my fastest mile of the night.

    Course Map

    A little past Mile 2, we passed the entrance plaza for the Animal Kingdom.  (I can still hear “Attention Runners:  Speed bumps ahead” repeating endlessly).   After the turn we were headed back the way we came on Osceola Parkway.   It was a chance for me to see how many people were behind me, and I was happy to see I wasn’t in last place.

    The Osceola Parkway sections of the run were pretty dull, which is unfortunate since it made up the bulk of the race course.   Around mile 5 we turned off onto a narrow trail.   This was probably the best-themed area of the course, a narrow trail leading into the Wide World of Sports complex.   Spooky lighting, things hanging in trees, and music fit the theme.   But the trail was very narrow, forcing everyone down to a walk.   And the trail surface was rock and gravel — I was running in very thin-soled Vibrams so it was not a fun surface to walk or run on.

    We emerged from the trail into the bright lights of practice fields at the WWoS complex.   We ran most of the way around the quarter mile track ( a much nicer running surface! ) and made our way over to Champions Stadium, where we were “cheered” on by a handful of spectators who had come to watch.   (One sign I spotted read “Worst.  Parade.  Ever.”.   We were being broadcast live onto the JumboTron but I didn’t try to spot myself, at this point (a bit more than six miles in) I was really just focusing on moving forward.

    We finished mile 7 and headed back out to Osceola Parkway again, and turned back toward the studios.   At this point I’d slowed pretty much to a walk with an occasional minute or so of running thrown in every quarter mile or so.    Mile 8 went by, and then we started backtracking, running down the same tilted cloverleaf ramp that we’d covered at the start of the race.   Just before Mile 9 we entered into the Hollywood Studios near the Lights, Motors, Action attraction and ran in front of the bleacher seating for the show.   Right around here, Debbie, who had started 2 corrals (and 10 minutes) behind me, caught up with me and we did the last mile together.

    From there, it was down the backstage New York street, and then a turn to come down the alley way behind the American Idol attraction.   We looped our way around the Sorcerer’s Hat, thru the archway leading to Animation, and down Pixar Place.   There we turned backstage and began making our way toward the Tower of Terror finish.

    The backstage part was uninteresting and we mostly walked, but when we rounded the last turn, there was the finish line, and suddenly our legs were ready to run again.   We crossed the finish line with arms raised in victory and received our finisher’s medals from the volunteers.   Beyond this we were handed bananas, PowerAde, and a goodie box with other snacks.   Cruelly at this point we had to walk up a steep hill to get to the setup where finisher photos were being taken with the medals.

    After Party

    After the photos, we had to make our way over to the bag check which was at the Indiana Jones Adventure.   Never has it seemed so far from Tower of Terror to Indiana Jones … with the race done, all motivation to move had left me.   But we made our way over.   I made my way down the IJ steps like a 90-year old man, retrieved my bag, and sat in the bleachers for a few minutes before making my way to the changing tents.  After changing we met up with Marcus and his wife Ginny at Toy Story Mania.  We walked up to Rock n Roller coaster, where we ran into Trish.   I really wanted to do Tower of Terror post-race, but the wait suddenly went from 20 minutes to 55 minutes while we were standing around talking, and I decided to catch it another time.    As it turns out, I ended up not getting on a ride during the after-party, just standing around and talking (we eventually ran into Amanda and Sarah also, so the entire party was accounted for and everyone had finished without injury or incident).

    I was really happy to finish my first runDisney race, and I’m looking forward to the WDW half-marathon in January, where I’m hoping the heat and humidity will be friendlier and I’ll put in a performance more in line with what I’ve seen in my training.   But since it’s my first 10-miler, it’s a PR, and I’ll take it proudly.

  • Destination D: Day Two Afternoon & Evening

    Hearing Voices: A Salute to Disney Voice Artists

    This is one of those you-had-to-be there sessions; hearing is everything.    It’s impossible to listen to Bill Farmer doing his most well-known Disney voice without breaking out into a big Goofy grin.

    Bill Farmer

    Bill Farmer does the voice of Goofy and also Pluto (and for Pluto, he not only does Pluto in English but in foreign languages as well … what range!).    He talked about auditioning and winning the role of Goofy, and gave a dramatic reading of Goofy doing Romeo.

    Lisa Davis voiced Anita in 101 Dalmatians.   She had worked with Zsa-Zsa Gabor in (I’m not making this up) Queen of Outer Space, and had learned to do a pretty good Zsa-Zsa impersonation.    Walt had heard this and wanted Lisa to do the voice of Cruella De Vil, who he pictured as being Zsa-Zsa like.   During the audition, during which Walt read the Anita part to Lisa’s Cruella, Lisa felt she just wasn’t right for the character, and asked if she could try Anita.   They tried it that way, and Lisa won the part.

    David Frankham did the voice of Sgt. Tibbs (the cat) in 101 Dalmatians.

    Kathryn Beaumont was Alice in Alice in Wonderland, and also Wendy Darling in Peter Pan.   She shared stories of working directly with Walt.   She was cast, she says, because her voice was English enough to fit the role, but not so much so as to sound too foreign to American audiences.

    Kathryn Beaumont

    Chris Sanders was the director of Lilo and Stitch.   Frequently during the animation process, animators or others working on a film will do temp voice tracks to use during early cuts of the film, when animation is in storyboard or pencil test form.   Chris did the Stitch voice fully intending that it would be replaced with a real actor at some point.   Even when no better voice was found, he was very hesitant, telling his co-director that if his track wasn’t great, there would be no hard feelings about tossing it.    But he obviously nailed it.

    Bruce Reitherman is the son of Disney Legend and animator Woolie Reitherman.   He did the voice of Christopher Robin in the first Winnie the Pooh featurette,  and also Mowgli in The Jungle Book.

    Snow White: Still the Fairest of Them All

    Since the theme of the weekend was “Celebrating 75 Years of Disney Feature Animation”, it was only fitting that a segment be devoted to the one that started it all, Disney’s first full-length animated motion picture.    Tim O’Day was again the host, joined this time by musicologist and historian Alex Rannie. and special guest Marge Champion.

    Marge was the original live-action reference model for Snow White.   She’s 93 years young and can tell great stories about how certain scenes were staged for the reference (for example, ropes hanging from clotheslines were used to simulate the forest Snow White runs through).

    Marge Champion
    Marge Champion as Snow White

    An Evening with Alan Menken

    Once again, the evening was capped off by a concert.   Dick Van Dyke set the bar pretty high, but I’d have to say the performance by 8-time Oscar winner Alan Menken was even better.   Other than the opening and closing numbers, the evening progressed chronologically through Alan’s career.   Because of the sheer volume of things he’s worked on, most movies and shows were represented by just brief excerpts of songs, rather than full numbers.   I think this was a great choice so that more material could be included.

    There were a number of songs featured that did not make it into the movies or shows, for whatever reason.    Songs written for Little Shop of Horrors back when they were still trying to find the right tone for the musical; songs dropped from Aladdin when the story was extensively reworked, even a song from a Roger Rabbit prequel that was never made.

    The evening opened with Prince Ali, from Aladdin.   Then we heard selections from God Bless You, Mr. Rosewater; Little Shop of Horrors; The Little Mermaid; Beauty and the Beast; Aladdin; Newsies; Pocohontas; Hercules; Hunchback of Notre Dame; Tangled; Enhanted, and several others.    The evening concluded with Proud of Your Boy, an Ashman-Menken collaboration that was dropped from the Aladdin film, but is being used in the upcoming Broadway production.

    Alan Menken

    This really ended things on a high note, and the weekend was a fantastic tribute to the long storied history of Disney Animation.

  • Destination D: Day Two Morning Sessions

    Wild and Wacky Disney Animation

    When you ask animation buffs to describe the style of Disney animation, you’ll hear that the drawings are lifelike, the overall style realistic, the stories moving, the characters memorable.   Other studios like Warner Brothers and Fleischer get the adjectives funny, wild, zany, and of course looney.

    But in the long history of Disney animation, there have been many wild and crazy bits of animation, and this morning’s session set out to provide that Disney can be just as wild and wacky as any animation department.

    The evidence:

    • A clip of deleted material from Steamboat Willie, described as NSFW, and definitely NSF PETA members.   Mickey engages in various forms of animal abuse to create music.
    Steamboat Willie deleted scene
    • A segment from The Barn Dance.   Mickey and Minnie are dancing, and he keeps stepping on her feet.  Oblivious, he walks on her feet, flattening them and then proceeding to her ankles and right up the leg, which is getting stretched out and starts being dragged across the floor behind them.   Eventually her tortured leg gets so long that she has to tie a knot in it to shorten it back to length, and then cuts off the excess.
    • Mother Goose Goes to Hollywood, a caricature piece featuring many Hollywood notables (Katherine Hepburn as Little Bo Peep, the Marx Brothers, etc.)
    Little Bo Peep
    • Thru the Mirror, in which Mickey Mouse has an Alice in Wonderland experience.
    • Toot, Whistle, Plunk, and Boom, a history of musical instruments
    • The Fantasia Dance of the Hours segment, featuring dancing hippos and alligators.
    • The Fantasia 2000 Carnival of Animals segments, in which a flamingo masters the yo-yo (and asserts his individuality over the flock)
    Flamingo with Yo-Yo
    • Pink Elephants on Parade, from Dumbo
    • “After You’re Gone” segment from Make Mine Music
    • “Blame it on the Samba” from Melody Time
    • A bit of early Genie animation.   When Disney wanted to get Robin Williams to play the Genie, they wanted something to show him.  So they used audio of Robin performing his stand-up act and animated the Genie to that as a demo.
    • A few clips of never completed Alice in Wonderland scenes
    • The soup eating scene from Snow White (this is a bonus feature on one of the DVDs)
    • Donald’s dream sequence from Three Caballeros.

    The verdict:  Disney can indeed be pretty wild and wacky.

    Drawing with Personality

    This was great to watch, and a write-up just won’t be able to do it justice because it was so visual.

    Animator Andreas Deja brought a number of pencil drawings of well-known Disney characters drawn by top animators.   His comments were insightful, pointing out where certain poses really showed strength of line, or pointing out various things that make a drawing “work”, but that a non-artist would not likely notice.   (One thing that comes across again and again in all these presentations is the tremendous respect that the current animators have for those that preceded them … there is just such a legacy there, and it seems they never lose sight of that and are incredibly respectful of it).

    Seeing so many great drawings from the archives was interesting, but the presentation really took off for me when Andreas picked up a marker and began drawing some of the characters he was the supervising animator for.

    A gallery showing these drawings is here.

    Tinker Bell: The Evolution of a Disney Character

    Frankly, going in this was a session I was not really interested in … Tinker Bell isn’t a favorite of mine, and knowing that at least some of the talk was covering “modern” Tink (3D graphics and she talks!  The horror!)  I was tempted to duck out and take in a few rides.   I’m glad I stayed … although it wasn’t my favorite talk of the weekend, it was very well researched, contained some surprises, and was worthwhile.

    The presenter, Mindy Johnson, is author of an upcoming book from which most of this presentation was drawn.   (The book, Tinker Bell: An Evolution, will be coming out in fall of 2013 so don’t go looking for it yet).

    The presentation started with the earliest ideas about Tink in J. M. Barrie’s writing and early stage adaptations of his works.     Tinker Bell was represented on stage by just a light effect and the sound of a bell.   (Specifically a bell such as would be used on a tinker’s wagon to alert customers, not unlike an ice cream truck’s music or horns).   The character, originally called Tippy Toe, thus became Tinker Bell.

    We saw early concept art of Disney’s Tinker Bell as a redhead before Marc Davis drew the character we know today.    We heard from Margaret Kerry, who was the live action reference model for Tinker Bell, and also from Ginny Mack, an ink and paint girl who was recruited as the facial model for Tink.

    Moving on to the modern era, we also heard from Mae Whitman, who has voiced Tinker Bell in recent releases, and director Peggy Holmes, director of Secret of the Rings, the next film in the Tinker Bell series.

    That was it for the morning panels … come back tomorrow to hear about the afternoon panels.

  • Destination D: Day 1 Afternoon & Evening Highlights

    (for coverage of the Saturday morning presentations see here)

    Inside Walt Disney Animation Studios Today

    Based on the title, I thought we might be getting some insight into how the animation department works today (how CG and hand-drawn animation departments compete or co-operate, and similarly for Disney and Pixar animation groups).   Instead, this was really a look at upcoming animated features and shorts.

    Frozen

    The first feature that we heard about was Frozen.  This is a Holiday 2013 release.  I had not heard anything about this feature prior to Destination D, so it was exciting to get a look at something completely new.

    The presenter was CG animator Darrin Butters (Prep & Landing, Bolt, Fantasia 2000, and others).

    Frozen is based on Hans Christian Andersen’s The Snow Queen.   We saw a number of story sketches here; no finished animation was previewed.

    The story focuses on two sisters, younger Anna (Kristen Bell) and older Elsa (Idina Menzel from Wicked, Rent, and Enchanted).   Few plot details were given other than it involves a curse, some prophecy, and snowmen sidekicks.

    Songs will be provided by Bobby Lopez & Kristen Anderson Lopez (Book of Mormon, Avenue Q, Winnie the Pooh).   We heard one song from the movie, “Let it Go”, performed live for us on stage to close out the presentation.

    Paperman

    The short film Paperman will play in front of Wreck-it Ralph coming this November.   We were shown this delightful film in its entirety, and were the first non-industry audience to see it.

    The presentation prior to showing the film described the unique animation style that is a blend of hand-drawn and computer generated.  The idea is to preserve the animators original sketch lines (which usually get cleaned up) all the way to final animation.   The technique was interesting but it was really the story that made this stand out.

    Paperman is the story of a chance encounter; boy meets girl on subway platform, then they are separated.   While at work, he spots her in a building across the street, and tries desperately to reach her with a paper airplane.   Then another.   Then another.    You’ll have to see the film to find whether it all works out in the end.

    Wreck-it Ralph

    The final film discussed in this presentation was Wreck-it Ralph, coming in November.    We were shown about 10 minutes of footage from the movie.  I think most of the information that was shared with us (casting, plot details) was already known, so I’ll just recap briefly.

    Ralph (John C. Reilly) is the villain in the 80s style arcade video game Fix-it Felix Jr.  (Felix is Jack McBrayer).   But Ralph doesn’t want to be a bad guy anymore.  So he leaves his game in search of a place he can be the hero.  (The premise here is that the power cord for the game leads to a ‘Game Central Station’ — a power strip where all the games are plugged in — allowing characters to come and go, and enter other games.

    Ralph’s adventures will take him to the Sugar Rush game (think Mario Cart) where he’ll meet Vanellope von Schweetz (Sarah Silverman) and Hero’s Duty (similar to Call of Duty or any first-person shooter) where he’ll encounter Sgt. Calhoun (Jane Lynch).

    The different games have very different visual styles which definitely makes things  interesting to look at.   There are many, many cameos by game characters dating from classics such as Pac-Man and QBert right up to present day.

    The Greatest Disney Animation You Never Saw

    This sounded like it would be a fun presentation, and it certainly was.   This was a presentation of Disney rarities — I probably had seen close to half of what was presented here, and given the Disney Geek quality of the audience I was probably not unusual in this respect.   But the animation that was shown has been in the vault for a long time, so it’s certainly hard-to-find, rare footage that it was fun to see again, or for the first time, as the case may be.

    Don Hahn and Dave Bossert were the hosts.   The format was to alternate film snippets (or in some case complete shorts) with commercials; it was very entertaining to get a look back at a time when Disney was more than willing to have their characters used in ads for all sorts of products.

    The playlist:

    • Back to Neverland.   I absolutely loved seeing this again — it was the original introductory film to the Animation Tour at the Disney-MGM Studios park.  The film features Robin Williams and Walter Cronkite and is vastly superior to the current film with Eddie Murphy’s Mushu character from Mulan.   Can we bring this one back, please?   Also, we were told that Robin’s performance here led to his being approached for the role of the Genie in Aladdin.
    • A 1950’s “I Like Ike” commercial produced by Roy O. Disney  (Walt’s brother, Roy E.’s dad)
    • The Roger Rabbit short “Tummy Trouble” (1989).
    • A commercial for American Motors featuring Jiminy Cricket (for the 1955 Nash Ambassador).
    • The pre-show film from Cranium Command at EPCOT’s Wonders of Life pavilion.  Directed by Kirk Wise and Gary Trousdale who would go on to do Beauty and the Beast.
    • A commercial for Peter Pan peanut butter featuring Peter Pan, Tinkerbell, and Captain Hook
    • Film of Walt performing Mickey’s voice for “Mr. Mouse Steps Out”
    • A commercial for Jell-O featuring Alice and the Cheshire Cat.
    • An extended deleted sequence from Who Framed Roger Rabbit where Eddie is “tooned” (has a pig’s face painted on his head).
    • Roger Rabbit advertising Diet Coke
    • Early pencil animation for a very different version of the Fantasia 2000 Pomp and Circumstance segment.   In this one, we get a parade of all of the Disney princesses and many other characters both major and minor.   At the end of the segment, a flock of storks, led by Dumbo, deliver babies to each of the princesses.   A true what-were-they-thinking moment that had the audience unsure whether to laugh or cringe.
    • An ad for Disney Magix cereal, from the 1990s, featuring Mickey.
    • A sequence pitch for a never-produced Hiawatha movie.
    • Another Peter Pan ad, this one with a cowboy and a spaceman.   (Definitely not Woody and Buzz, but maybe this was inspiration)
    • and finally, the Zip-a-Dee-Doo-Dah segment from Song of the South.

    This whole presentation was just wonderful; kudos to whoever curated the content as it was a great mix of historically significant pieces, just-for-laughs segments, and great nostalgia for bygone attractions.

    Animating the Disney Parks

    Like some of the morning sessions, this was a session that focused very much on personalities rather than technical aspects.    Essentially there are three individuals whose contributions to the parks were featured, although a lot of other imagineers and animators were mentioned along the way.

    Claude Coats was the first to be featured.   Tony Baxter (Sr. VP, Imagineering and future Disney Legend) who worked with Claude, did this part of the presentation.   Claude did the show design for some of Disneylands’s most memorable attractions, including the Haunted Mansion, Pirates of the Caribbean, Alice in Wonderland, and Mr. Toad.  At EPCOT he contributed to Horizons, World of Motion, Universe of Energy, and several others.    On several projects he collaborated with Mary Blair.

    Claude Coats with Mary Blair

     

    The next Imagineer to be featured was Herb Ryman.   If you’ve ever seen concept art for Disneyland or EPCOT, it was most likely Herb’s work.   The original concept drawing for Disneyland, shown to investors to help line up financing for the park, is a Herb Ryman piece.

    Herb Ryman’s Disneyland concept art

     

    Next we hear about Marc Davis.   As an animator, Marc worked on Bambi, Alice in Wonderland, Peter Pan (Tinkerbell), and others.  He drew some of the definitive Disney villains including Maleficient and Cruella de Vil.   As an Imagineer he worked on it’s a small world, the Jungle Cruise, the Tiki Room, Haunted Mansion, Pirates of the Caribbean, and others.

    An Evening with Dick Van Dyke

    After a day full of presentations, after dinner we had a fabulous performance by Dick Van Dyke and his a capella group, the Vantastix.   They opened with Chitty Chitty Bang Bang and continued with selections from Bye Bye Birdie. Mary Poppins (of course!), Jungle Book, Dumbo and quite few others.   It was a magical evening of music and laughter, if you ever have the chance to see this group perform, don’t miss it.   (Buy their CD here)

    Dick Van Dyke and the Vantastix perform
  • Destination D: Day 1 Morning Session Highlights

    On August 11th and 12th 2012, D23 (The Official Disney Fan Club) presented the third Destination D event.   The theme of this one was “Celebrating 75 Years of Disney Feature Animation.

    The event was held in the Grand Ballroom of the Disneyland Hotel.

    I’ll be recapping the event over the next several blog entries — in this first post, I’ll cover the two Saturday morning presentations, which covered different eras in the history of Disney animated features.

    Walt and the First Golden Age of Disney Animation

    The first presentation of the day covered the earliest days of feature animation.  This panel was hosted by Disney Archives director Becky Cline, and included panelists:

    • Disney Legend, animator, writer, storyboard artist, and director Burney Mattinson
    • Layout artist and producer Joe Hale
    • Documentary filmmaker Ted Thomas, son of Disney Legend Frank Thomas
    Becky Cline, Ted Thomas, Joe Hale, Burny Mattinson. In background, the Nine Old Men

    The discussion started off with anecdotes about working with Walt and generally what it was like to be working in animation during that era.  Then the discussion focused on each of the nine old men, with anecdotes about working with them, and discussions of specific films and scenes that each man was responsible for.

    Anyone who has an interest in animation is familiar with how storyboards are used to present ideas for the story; we were treated to a video of Burny doing a story pitch using storyboards for the “Eeyore loses his tail” segment of the new Winnie the Pooh movie.

    Overall the panel was very informative and did a great job of setting up the history of the animation studio.

    Roy and the Second Golden Age of Disney Animation

    The second panel of the morning moved on to the Second Golden Age of Disney Animation, a period that started with the Little Mermaid.   This period of studio history is very well chronicled in Don Hahn’s  Waking Sleeping Beauty.

    The panel was led by Tim O’Day and included panelists

    • Roy Patrick Disney, son of Walt’s nephew Roy E. Disney, who was head of animation.
    • Don Hahn, director (Waking Sleeping Beauty) and producer (Beauty and the Beast, The Lion King)
    • John Musker and Ron Clements, directing team of The Little Mermaid, Aladdin, Hercules, and The Princess and the Frog

    (No photos were allowed during this session so I can’t show the panel)

    The panel opened with a film called “Mickey’s Audition”.   Although it wasn’t identified as such I’m pretty sure this used to play as part of the Backlot Tour at the Disney-MGM Studios park (as it was then called).   Very entertaining with cameos by Angela Lansbury, Mel Brooks, and other stars.  The significance here was that it featured the acting debut of Roy E. Disney, portraying Walt  (and there is quite a resemblance).

    The second panel was far more energetic and lively than the earlier one.   Don Hahn is always entertaining, and moderator Tim O’Day kept things moving along and frequently injected a bit of humor (not that it was lacking otherwise).   It seemed to be generally agreed among everyone, as Don Hahn stated, that Roy E. didn’t just save animation at Disney, he saved the company.

    There was an amusing anecdote about a scene in a True Life Adventure where a scene of a duck sliding across the ice was cut short by the cameraman before the inevitable collision with another group of ducks just standing around.   When Walt was shown the sequence, he insisted that they had to “find” the “missing” footage of the collision, but it didn’t exist — the cameraman had stopped filming.   But Walt was insistent, so eventually Roy E. and a crew had to head back out and get the footage — bowling with ducks.

    We also got to see, courtesy of Roy P., some candid family photos of the Disney family.    A favorite was a shot of him and his siblings standing in front of a nondescript pile of dirt — a pile of dirt in the spot where Cinderella Castle would soon be built.

    Overall, this was less of an animation history lesson and more of a tribute to Roy E., and that seemed an appropriate and fitting way to conclude our first morning.

    Would love to hear from other attendees in the comments — what were your favorites in the morning sessions?

  • Disney’s Aulani Resort

    We are DVC members since it first started 20-years ago.  We booked 7-months in advance and I suggest you do the same if you want to stay here.  As it gets more popular that might not even guarantee you get the dates you want.  Also keep in mind that this resort is still very new (opened Aug. 2011) and kinks are being worked out, plus there is the “Hawaiian attitude” which is much more laid back than Silicon Valley.  We were able to stay here only because we are DVC members; it’s way too expensive otherwise.

    While we (2 adults, 2 older teenagers) definitely enjoyed the resort, it was teaming with adolescent children and infants because the resort definitely caters to families.  I can see it being very busy come peak times so if you don’t want to be surrounded by children, many of whom are not watched closely by adults, then I suggest you pick a time other than peak times of summer and holidays.

    Check out all the particulars including accommodations, services, etc. on-line at http://resorts.disney.go.com/aulani-hawaii-resort/

    Accommodations

    Wonderful accommodations as one would expect from Disney.  Large resort with (6) connected buildings with about (12) floors of rooms/suites/villas.  We stayed in a one-bedroom villa (sleeps 5) which included a full living room, kitchen, eating area, washer/dryer.  Reminiscent of the villas at Disney’s Grand Californian.

    To-Dos

    Because the resort is accessible to non-guests (who would love to enjoy all that Aulani has to offer without paying the cost of staying there), those who are guests are given daily color-coded wristbands to wear in order to use the various facilities and activities.  From some of the reviews I’ve read, some guests were unhappy with this policy but it’s non-intrusive and I think it’s necessary.

    Water

    – There is a lazy river, water slides, double-decker infinity spa overlooking the beach, several pool/wading areas, a couple additional Jacuzzis.  Pathways meander throughout all these areas.  At night, the lighting is very reminiscent of Disneyland or the Magic Kingdom in Florida.

    – There is an adjoining beach area surrounding a lagoon that is shared with the other timeshare hotels on either side of Aulani.  Lounge chairs, umbrellas, sand toys and games are free and first-come, first-served.

    – For additional fees there is kayak and paddle board rentals ($20+/hr) , feeding the stingrays ($50 pp – a lot of fun), a small lagoon for snorkeling ($40 adult) (they also have glass viewing areas along one of the sides)

    Activities and Entertainment

    – There is something going on for everyone throughout the entire day.  You could easily not leave the resort and still enjoy yourself with something to do other than lay in the sun.

    – Disney characters’ breakfast and photo ops during the day with Mickey, Minnie, Goofy, Stitch, Chip & Dale

    – Outdoor Disney movies, storytelling, musical duets and trios, live shows, exercise facilities and classes, and fee-based activities like stargazing ($39 pp)

    – On-site Tour agency for booking excursions (can also be done on-line) but expect to pay more than if you did it on your own before arriving.  I researched and booked our activities about (3) weeks before we arrived.  (Lori Jay at Tom Barefoot’s Tours – lori@tombarefoot.com)

    Food

    As expected there were options (simple to fancy) to eat on-site but also as expected, it’s expensive and not necessarily worth the cost.  There are also multiple bar locations.  I think we only ate (3) meals on-site (one of which resulted in stomach problems for my daughter).  We shopped at the local stores and ate several meals “at home” as well as at nearby restaurants.

    Location

    The resort is located on the West coast of Oahu about 40min drive NW of Honolulu airport.  The area looks more like desert than the typical image of a lush, tropical Hawaiian island.  Driving around the island is easy but there is definitely traffic during the week and it can be congested getting into Honolulu and Waikiki.  Be ready to slow down with not only driving, but your attitude.  Freeways are 50-55mph with a minimum speed posting.

    There are a couple large shopping centers just a 5-min drive south of Ko’Olina resort area including Target, Wal-Mart, Safeway, Longs, and lots of food places like Chili’s, Pizza Hut, Subway, etc.   There is also a new area across the street from Aulani still in growing stages with Joe’s Tacos (nice Mexican restaurant and bar with 300 tequila offerings), a Hawaiian BBQ/Asian food and an ice cream parlor, plus a small market.

    End Result

    Must do’s …

    –       Try to get an ocean view room – it is amazing and can be enjoyed from the balcony

    –       Enjoy the pools, spas, slides and especially the warm ocean water and clean beach

    –       Stingray experience, watch an outdoor movie, sit and listen to live music

    –       Outside excursions including Pearl Harbor/USS Arizona and Battleship Missouri, Dolphin Excursions, Hawaii Surf School, Hawaiian Parasailing, rent a car and explore on your own ‘cuz it’s pretty easy to get around

    Maybe . . .

    –       Germaine’s Luau (or any other luau’s) … show pretty good but food sucked and it’s expensive

    Would we go again?

    Possibly, because it is a beautiful resort.  We enjoyed everything we did on-site including doing nothing.  Everyone should go at least once.

    Will we go again?

    Not for awhile because there are other vacations we would like to do first before we redo this one